Solbrud are a black metal band from Denmark and this is their fourth album.
IIII is an album of four parts, each written by one of Solbrud’s four band members. The end result is an ambitious album with an imposing length – 94 minutes – that takes the listener on a compelling journey into a vast atmospheric black metal vistas. Continue reading “Solbrud – IIII (Review)”
Olhava are a Russian ambient/post-black metal band and this is their sixth album.
It’s always a pleasure to hear a new Olhava album. I thoroughly enjoyed both 2021’s Frozen Bloom and 2020’s Reborn, so am more than happy to be able to experience the immersive immensity of Sacrifice. Sacrifice offers a rich feast of atmospheric, ambient, and post-black metal/blackgaze. Continue reading “Olhava – Sacrifice (Review)”
This is the second album from Norwegian black metallers Vemod.
The Deepening contains 48 minutes of dark blackened worldscapes. It’s the sort of record that is worth exploring in a thorough and comprehensive manner, as there are many rewards to be had within its beautifully coated exterior. Continue reading “Vemod – The Deepening (Review)”
Welcome to my annual attempt to make sense of the ridiculous amount of good metal albums out there, awaiting discovery by intrepid metal explorers.
2023’s best of list has been one of the more difficult ones to put together, placing-wise, which is one of the reasons that I’m posting it later than I usually do. Even more so than normal many of the slots are interchangeable, and I especially struggled with positions two-nine – if such a thing were possible, they all deserve to be higher! In the end I decided to stop overthinking it and go with my gut, but the usual caveat of these lists being very subjective and subject to change depending on mood, feelings, etc. is larger than normal here.
There are some notable acts missing form the below. Not because they’re not worthy of inclusion, but because there are only so many spaces to be had. In fact, I almost ended up limiting this list to 20, rather than the now-customary 30, as I found it really difficult to know who to include and who not to. In the end I went with the standard 30 so that I could promote a few extra bands, as they absolutely all deserve it.
As for the top position, I wasn’t expecting it to be filled by a band I’d never heard before, playing a style that I don’t listen to as much as I used to. However, I suppose after last year, I shouldn’t have been too surprised.
I do hope you enjoy this list and find some new music to obsess over. Like always, thanks for your support if you have ever visited this site before, and here’s to a great 2024 for as many of us as possible. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2023”
This is the latest EP from Árstíðir Lífsins, an international, (Germany/Iceland), black metal band.
Following on from 2020’s epic Saga á tveim tungum II: Eigi fjǫll né firðir comes an equally epic EP. Despite containing only two songs, Hermalausaz is an album-length release at 43 minutes in duration, and packs a lot of content into its extended running time. Continue reading “Árstíðir Lífsins – Hermalausaz (Review)”
This is the debut album from US black metal band Yfel.
Across the 40 minutes of music on Beneath the Mountain’s Vigil Yfel reveal themselves as very capable purveyors of atmospheric black metal. Continue reading “Yfel – Beneath the Mountain’s Vigil (Review)”
This is the second album from US black metal band Bull of Apis Bull of Bronze.
Brought to us by an ex-member of A God or an Other, The Fractal Ouroboros is an ambitious and bold work that’s utterly absorbing. Across an imposing 75 minutes Bull of Apis Bull of Bronze unleash music that is affecting like few others. Continue reading “Bull of Apis Bull of Bronze – The Fractal Ouroboros (Review)”
This is the debut album from UK solo black metal act Efraah Enhsikaah.
One Thousand Vultures Waiting to Be Fed is a quality 41-minute atmospheric black metal album. It look me a while to get around to this one, but you won’t want to miss out on its dark charms. Continue reading “Efraah Enhsikaah – One Thousand Vultures Waiting to Be Fed (Review)”
This is the fourth album from Scottish epic black metallers Ruadh.
Oh dear, it’s taken me an obscene amount of time to finally check out Ruadh, after thoroughly enjoying them at this year’s Reaper Festival. Ah well, better late than never, and 1296 has definitely been worth the wait. Continue reading “Ruadh – 1296 (Review)”
This is the eighth album from Australian one-man black metal act Midnight Odyssey.
Here it is, the one we’ve all been waiting for – the third and final part of the Biolume trilogy. Emerging from the long, deep shadows of 2015’s Shards of Silver Fade, 2019’s Biolume Part 1 – In Tartarean Chains, and 2021’s Biolume Part 2 – The Golden Orb, how can Biolume Part 3: A Fullmoon Madness possibly compare? After all, all three of the aforementioned releases either made it into my end of year list in the top five, (here), or the coveted top spot, (here and here). How does this one one fare? Continue reading “Midnight Odyssey – Biolume Part 3 – A Fullmoon Madness (Review)”
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