This is the third album from Aviana, a metalcore band from Sweden.
I really enjoyed 2019’s Epicenter, so was pleased to see Aviana return with some new material. Well, they’re back with 36 minutes of the stuff, along with a new lineup that sees only the singer returning from Epicenter, (he seems to be the main band member, as far as I can tell, with the other members remaining anonymous). Continue reading “Aviana – Corporation (Review)”
This is the second album from Venom Inc., a thrash metal band from the UK.
Featuring two members of the legendary Venom, as well as a current and ex-member of bands such as Inhuman Condition, Kill Division, and Wombbath on drums, There’s Only Black contains 54 minutes of raging metallic heaviness that should have any fan of old-school thrash metal salivating. Continue reading “Venom Inc. – There’s Only Black (Review)”
This is the second album from US heavy metallers Sumerlands.
Featuring a member of Vestal Claret, Dreamkiller contains 35 minutes of traditional heavy metal and AOR songwriting smarts. Continue reading “Sumerlands – Dreamkiller (Review)”
This is the debut album from US heavy metal band Sonja.
Loud Arriver boasts 38 minutes of music, and once you have been exposed to Sonja’s world, it’s hard to get enough of it. Playing a form of traditional heavy metal that contains elements of Gothic rock, 80s rock, and post-punk, Sonja’s debut album is very charismatic and extremely enjoyable. Continue reading “Sonja – Loud Arriver (Review)”
This is the third album from The Necromancers, a French heavy metal/rock band.
Playing a mix of classic heavy metal and occult rock, The Necromancers impress over 38 minutes with their charismatic and compelling take on an old-school style. Continue reading “The Necromancers – Where the Void Rose (Review)”
This is the debut album from French progressive metal band Ahasver.
Ahasver is made up of members of bands such as Eryn Non Dae, Drawers, and Gorod, among others. Causa Sui contains 42 minutes of music that’s a good deal more individual than most you might encounter. Continue reading “Ahasver – Causa Sui (Review)”
This is the debut album from Danish post-metal band Offernat.
Offernat play a hybrid form of music that blends black, progressive, doom, and post-metal elements together into four mammoth songs. Continue reading “Offernat – All Colours Retract (Review)”
Blind Guardian are a German power metal band and this is their twelfth album.
Blind Guardian return with a new 51-minute opus. Fans of the band will be interested to know that The God Machine doesn’t directly continue with the trajectory of their last few albums, and instead offers a compelling mix of past and present. Continue reading “Blind Guardian – The God Machine (Review)”
This is the fourth album from Swedish heavy metallers Trial (Swe).
Since I last encountered Trial n 2017’s (Vessel), the band have changed their name to Trial (Swe), released another album and an EP, and changed singer. So, what does Feed the Fire bring us? The answer is 46 minutes of rousing heavy metal. Continue reading “Trial (Swe) – Feed the Fire (Review)”
Feather Mountain are a progressive metal band from Denmark and this is their second album.
To Exit a Maelstrom contains 45 minutes of modern progressive metal that incorporates elements of alternative and progressive rock. There’s also a djent influence, but it’s not an overbearing one. Continue reading “Feather Mountain – To Exit a Maelstrom (Review)”
Wonderbox Metal 