Twitch of the Death Nerve are a UK death metal band, and this is their second album.
2014’s A New Code of Morality was a memorable record, loaded with enough brutal power to destroy continents. Has it really been six years since that album was unleashed on the world? It has, so Continue reading “Twitch of the Death Nerve – A Resting Place for the Wrathful (Review)”
Based in the US, Irist are a modern metal band and this is their debut album.
Irist’s recipe is one that takes a wide range of influences and works them into a comprehensive modern metal framework. Loosely stated, Irist take elements of hardcore, thrash metal, and progressive/post-hardcore/metal, and hone them into song-based packages of metallic heaviness. Continue reading “Irist – Order of the Mind (Review)”
This is the third album from US death/doom metallers Temple of Void.
My enjoyment of Temple of Void’s work over the years has only increased, (here, here, here), so it’s with great excitement and expectation that I turn to The World That Was. Continue reading “Temple of Void – The World That Was (Review)”
Perdition Temple are a death metal band from the US and this is their third album.
This is malignant death metal with a vicious blackened edge. Featuring current and ex-members of Angelcorpse, Amon, and Malevolent Creation, this is a veteran band that knows what they are doing with death metal. Continue reading “Perdition Temple – Sacraments of Descension (Review)”
This is the third album from Solothus, a death/doom metal band from Finland.
Soaked with deathly vibes and sinister doom promise, this is macabre death/doom that deeply satisfies with its quality delivery. For a rough approximation of the band’s sound, imagine a mix of bands such as Continue reading “Solothus – Realm of Ash and Blood (Review)”
This is the debut album from Dodenbezweerder, a black metal band from the Netherlands.
Containing the very prolific artist behind Gnaw Their Tongues, (and many, many other bands and projects), Dodenbezweerder offer up 38 minutes of raw blackened nightmare. Continue reading “Dodenbezweerder – Vrees de Toorn van de Wezens Verscholen Achter Majestueuze Vleugels (Review)”
This is the debut album from UK death metallers After the Abduction.
Here we have 25 minutes of slam-soaked brutal death metal. Falling somewhere between Dying Fetus and Decapitated, (roughly speaking), Cracked and Bled takes influence from both old and new strains of brutality to present us with a brief whirlwind of violence and carnage. Continue reading “After the Abduction – Cracked and Bled (Review)”
This is the second album from Aodon, a black metal band from France.
Aodon mix atmospheric and post-black metal to create an album of layered texture and blistering intensity. The result is an effective and striking collection of music. Continue reading “Aodon – 11069 (Review)”
Wake are a Canadian grindcore band and this is their fourth album.
I really, really enjoyed 2018’s Misery Rites, so I new that as soon as Devouring Ruin appeared, it was a must-listen. Continue reading “Wake – Devouring Ruin (Review)”
Neck of the Woods are a progressive metal band from Canada and this is their second album.
The Annex of Ire contains 40 minutes of modern, hybrid progressive metal from the band that enjoyably produced 2015’s Neck of the Woods and 2017’s The Passenger. Continue reading “Neck of the Woods – The Annex of Ire (Review)”
