Sarinvomit are from Turkey and Eggs of Gomorrh are from Switzerland. Both play variants of black metal, and have teamed up for this split release.
Sarinvomit and Eggs of Gomorrh are both rooted in black metal, only mutated and ugly versions of it. This split lasts a hideous 31 minutes, and all eight tracks are worth devouring hungrily, despite how disgusting they are. Continue reading “Sarinvomit/Eggs of Gomorrh – Encomium of Depraved Instincts – Split (Review)”
Disuse are a grindcore band from the Netherlands and this is their latest EP.
Machine-Gun Kelly gives us less than four minutes of new material and follows on from the 2018 EP The Yeti from Kad-Man-RA, which I characterised as nasty blink-and-you’ll-miss-it grindcore. Continue reading “Disuse – Machine-Gun Kelly (Review)”
Gränslandet are a hardcore/sludge band from Sweden. This is their second album.
I liked 2016’s Solidium, so it’s good to have the band return to the fray with Denationalization. On their new record the band offer up 37 minutes of crusty hardcore mixed with doomy sludge. Continue reading “Gränslandet – Denationalization (Review)”
Starless Domain are a US black metal band and this is their second album.
If you’re wondering where you know the name Starless Domain from, it’s only earlier this year on the band’s debut record EOS was released. Apparently they’re not interested in resting on their laurels, as only a few months later they now give us ALMA. Continue reading “Starless Domain – ALMA (Review)”
This is the fifth album from US black metal band Falls of Rauros.
After 2014’s very strong Believe in No Coming Shore, and then 2017’s Vigilance Perennial, which was even stronger, we now turn to Patterns in Mythology. Have the band managed to continue their upward trajectory? Continue reading “Falls of Rauros – Patterns in Mythology (Review)”
This is the third album from Canadian death metallers Tomb Mold.
2018’s Manor of Infinite Forms was a mutated delight, revelling in its exploration of what death metal was capable of when subjected to the right stressors. I wasn’t expected a new record quite so soon after their exemplary second one, but I’m certainly not complaining. Continue reading “Tomb Mold – Planetary Clairvoyance (Review)”
Rogga Johansson is a Swedish death metal legend and this is his second solo album.
Rogga Johansson is a man of many bands – listing groups like Paganizer, Down Among the Dead Men, and Echelon only scratches the surface. Not content with his many, many projects, he also has this eponymously named new album. As you would expect, it’s death metal, pure and undiluted. Continue reading “Rogga Johansson – Entrance to the Otherwhere (Review)”
LINGUA IGNOTA is a one woman experimental artist, and this is her latest album.
Aided by a multitude of guests, (including members of The Body and Full of Hell), this is 66 minutes of beauty and brutality. This is an album that fits in no real category other than a loose experimental one. Peppered with noise, avant-garde, industrial, and post-doom/rock influences, this is music that largely belongs to the artist alone and defies easy categorisation. Continue reading “LINGUA IGNOTA – CALIGULA (Review)”
This is the second album from Osiah, a deathcore band from the UK.
Deathcore is a genre that is easy to get wrong. Far too many deathcore bands simply go through the motions of producing music, however passionately, but without ending up with anything that has any sort of real Continue reading “Osiah – Kingdom of Lies (Review)”
Kavara are a Canadian melodic death metal band and this is their debut album.
This is sharp, energetic, melodic music that takes influences from a number of death metal avenues, and then sprinkles engaging melodies over everything quite liberally. Continue reading “Kavara – Weathered & Lost (Review)”
Wonderbox Metal 