The two main members of this band have a wealth of experience between them. This includes, (but is not limited to), Echelon, Megascavenger, Paganizer, The Grotesquery, Those Who Bring the Torture, Just Before Dawn and Ursinne). Phew, that’s a lot of expertise. Continue reading
Now here’s a band that are both prolific and consistently enjoyable. Swedish death metal is a distinct soft spot of mine, and Paganizer have more than proven over the years that they can deliver the goods. Continue reading
With a lineup that contains a huge amount of experience; like the recently released Stench Price, (which shares personnel), I’m just going to list the various members below from the press blurb for ease of clarity –
Dave Ingram (Hail of Bullets, ex-Bolt Thrower, ex-Benediction)
Rogga Johansson (Paganizer, Demiurg, Putrevore)
Johan Berglund (Ribspreader, The Grotesquery)
Kjetil Lynghaug (Johansson & Speckmann, Paganizer)
Travis Ruvo (Akatharta, Cropsy Maniac)
As you can see. These guys know a thing or two about death metal. Continue reading
There’s a bewildering array of talent and people involved in this, so I’m simply going to copy and paste the lineup from the press blurb to make things easier for myself –
France – Romain Goulon – Drums (Necrophagist, Disavowed, etc.)
Siberia – Peter Shallmin – Bass (Escapethecult, Kamlath)
Siberia – Max Konstantinov – Guitars (Kamlath, Nebesniesnami)
USA – Danny Lilker (Brutal Truth, Nuclear Assault, SOD, etc.)
Sweden – Rogga Johansson (Paganizer, Demiurg, etc.)
USA – Max Phelps (Cynic, Death DTA Tours, Exist)
UK – Dave Ingram (Hail of Bullets, Benediction, Bolt Thrower, etc.)
Australia – Karina Utomo (High Tension)
USA – Shawn Knight (Child Bite) Continue reading
Paganizer clearly aren’t messing around on this release. With four songs in just under 14 minutes, this is all about classic-styled Swedish death metal, played with the skill of veterans by the mastercrafters Continue reading
First off, I want to acknowledge the album title – now that’s a Metal album title. Top work!
But anyway…onto the music. Here we have some Old-School Death Metal with plenty of groove and mid-paced heaviness. This is 90’s-style Death Metal from an era when songs still mattered and each track was thought of in a holistic manner.
As such, the songwriting here befits the music and the Metal flows nicely from track to track. Or interlude, as the case may be. This is a Horror-themed release so there are numerous interludes to progress the story.
The guitar riffs are appropriate to the style, of course, but the melodies and riffs chosen also seem to further the atmosphere as espoused by the narrative. The result is not just a trip down Death Metal memory lane but an immersive experience into the realms of Horror Metal.
Good sound, good Metal. Here’s to The Grotesquery.