Paganizer are a Swedish death metal band and this is their eleventh album.
Paganizer are a very well-respected band with an imposing body of work, (we’ve covered On the Outskirts of Hades and Land of Weeping Souls in the past). Brought to us by the legendary Rogga Johansson, (Echelon, Megascavenger, The Grotesquery, Those Who Bring the Torture, Just Before Dawn, Ursinne, and many more!), The Tower of the Morbid is 38 minutes of Grade A Swedish death metal ready to destroy. Continue reading
Rogga Johansson is a Swedish death metal legend and this is his second solo album.
Rogga Johansson is a man of many bands – listing groups like Paganizer, Down Among the Dead Men, and Echelon only scratches the surface. Not content with his many, many projects, he also has this eponymously named new album. As you would expect, it’s death metal, pure and undiluted. Continue reading
This is the third album from Down Among the Dead Men, an international death metal/crust supergroup.
The two main members of this band have a wealth of experience between them. This includes, (but is not limited to), Echelon, Megascavenger, Paganizer, The Grotesquery, Those Who Bring the Torture, Just Before Dawn and Ursinne). Phew, that’s a lot of expertise. Continue reading
Dawn of Disease are a death metal band and this is their fourth album.
I wasn’t expecting a new Dawn of Disease album so soon after last year’s enjoyable Worship the Grave, but I’m certainly not complaining about it. Continue reading
Paganizer are a Swedish death metal band and this is their tenth album.
Now here’s a band that are both prolific and consistently enjoyable. Swedish death metal is a distinct soft spot of mine, and Paganizer have more than proven over the years that they can deliver the goods. Continue reading
Echelon are an international death metal supergroup. This is their second album.
With a lineup that contains a huge amount of experience; like the recently released Stench Price, (which shares personnel), I’m just going to list the various members below from the press blurb for ease of clarity –
Dave Ingram (Hail of Bullets, ex-Bolt Thrower, ex-Benediction)
Rogga Johansson (Paganizer, Demiurg, Putrevore)
Johan Berglund (Ribspreader, The Grotesquery)
Kjetil Lynghaug (Johansson & Speckmann, Paganizer)
Travis Ruvo (Akatharta, Cropsy Maniac)
As you can see. These guys know a thing or two about death metal. Continue reading
Stench Price are a grindcore supergroup and this is their debut release.
There’s a bewildering array of talent and people involved in this, so I’m simply going to copy and paste the lineup from the press blurb to make things easier for myself –
France – Romain Goulon – Drums (Necrophagist, Disavowed, etc.)
Siberia – Peter Shallmin – Bass (Escapethecult, Kamlath)
Siberia – Max Konstantinov – Guitars (Kamlath, Nebesniesnami)
USA – Danny Lilker (Brutal Truth, Nuclear Assault, SOD, etc.)
Sweden – Rogga Johansson (Paganizer, Demiurg, etc.)
USA – Max Phelps (Cynic, Death DTA Tours, Exist)
UK – Dave Ingram (Hail of Bullets, Benediction, Bolt Thrower, etc.)
Australia – Karina Utomo (High Tension)
USA – Shawn Knight (Child Bite) Continue reading
This is the latest EP from these Swedish death metal legends. Paganizer are always a welcome listen.
Paganizer clearly aren’t messing around on this release. With four songs in just under 14 minutes, this is all about classic-styled Swedish death metal, played with the skill of veterans by the mastercrafters Continue reading
This is the third album by this Death Metal supergroup, featuring members and ex-members of Massacre, Death, Edge of Sanity, Mantas, Bone Gnawer, Paganizer, Ribspreader, Liklukt and This Haven.
First off, I want to acknowledge the album title – now that’s a Metal album title. Top work!
But anyway…onto the music. Here we have some Old-School Death Metal with plenty of groove and mid-paced heaviness. This is 90’s-style Death Metal from an era when songs still mattered and each track was thought of in a holistic manner.
As such, the songwriting here befits the music and the Metal flows nicely from track to track. Or interlude, as the case may be. This is a Horror-themed release so there are numerous interludes to progress the story.
The guitar riffs are appropriate to the style, of course, but the melodies and riffs chosen also seem to further the atmosphere as espoused by the narrative. The result is not just a trip down Death Metal memory lane but an immersive experience into the realms of Horror Metal.
Good sound, good Metal. Here’s to The Grotesquery.
