Nuclear Tomb are a death/thrash metal band from the US and this is their debut album.
Nuclear Tomb play an intriguing mix of death and thrash metal that combines a ferocious attack with progressive wanderings and idiosyncratic layers. Exploding across 33 minutes, Terror Labyrinthian impresses with its ambition, scope, and beating heart of passionate steel. Continue reading “Nuclear Tomb – Terror Labyrinthian (Review)”
This is the third album from US death metallers Replicant.
Following on from 2021’s Malignant Reality comes the 44-minute Infinite Mortality. Before diving into this new record, take a moment to prepare yourself, as this is a beast of an album. I liked Malignant Reality, but it didn’t stand out to me the way that Infinite Mortality does. Continue reading “Replicant – Infinite Mortality (Review)”
Protosequence are a Canadian technical death metal band and this is their debut album.
Bestiary contains 33 minutes of technical mayhem that’s unusually variegated. After enjoying Protosequence’s 2020 EP A Blunt Description of Something Obscene I was looking forward to hearing this, and it has not disappointed. Quite the opposite in fact. Continue reading “Protosequence – Bestiary (Review)”
This is the ninth album from Italian death metallers Hour of Penance.
I always enjoy a bit of Hour of Penance’s brutality. Devotion follows on from 2017’s Cast the First Stone and 2019’s Misotheism, delivering 38 minutes of textured death metal destruction. Continue reading “Hour of Penance – Devotion (Review)”
This is the fifth album from Italian death metallers Hideous Divinity.
I do enjoy Hideous Divinity‘s brand of technical brutality. 2014’s Cobra Verde, 2017’s Adveniens, and 2021’s LV-426 were all solid slabs of death metal muscle and intricate aggression, so it’s with expectation that we turn to Unextinct and its 51 minutes of new material. Continue reading “Hideous Divinity – Unextinct (Review)”
This is the debut album from US death metal band Wounds.
Wounds play technical death metal and Ruin boasts 30 minutes of face-ripping material. Brought to us by a band that are clearly adept in the killing arts, Ruin is ready to blast off. Continue reading “Wounds – Ruin (Review)”
This is the third album from Convulsing, a solo death metal band from Australia.
I haven’t caught up with Convulsing since their immense 2017 split with Siberian Hell Sounds, so we’re well overdue. Perdurance lasts 48 minutes, (56 with the bonus Porcupine Tree cover), and is a monster of avant-garde death metal. Continue reading “Convulsing – Perdurance (Review)”
This is the debut album from US death metal band Apogean.
Cyberstrictive contains 44 minutes of modern technical death metal. As a lazy intro, I’m just going to quote the blrub on their Bandcamp page – “Apogean drew their inspiration from such groups as Soreption, The Faceless, Obscura, Necrophagist, The Black Dahlia Murder, Archspire, and The Zenith Passage. It’s a safe bet that fans of those bands will thoroughly enjoy what they have to offer.” Continue reading “Apogean – Cyberstrictive (Review)”
This is the debut album from Fathomless Ritual, a solo death metal band from Canada.
Brought to us by a member of Gutvoid, Hymns for the Lesser Gods is a 39-minute slab of foul death metal. Old-school and cavernous, it fuses technical skill with brute force, making for an unholy merging of sophistication and simplicity. Continue reading “Fathomless Ritual – Hymns for the Lesser Gods (Review)”
This is the sixth album from French death metallers Exocrine.
A new Exocrine album is always a thing to be celebrated. 2018’s Molten Giant and 2020’s Maelstrom were both notable records, but then 2022’s The Hybrid Suns saw the band shift up a level once more. Now, hot on the heels of that last release, comes Legend, featuring 45 minutes of music, (40 without the bonus track). So what does Legend have to offer the discerning extreme metal fan in 2024? Continue reading “Exocrine – Legend (Review)”
Wonderbox Metal 