This is the debut album from US black metal band Mnajdra.
From out of nowhere comes Mnajdra, a 44-minute slice of underworld darkness. This is thick, unfriendly black metal that has subsumed elements of doom and sludge into itself to better portray the utter bleakness and horror of existence. Continue reading “Mnajdra – Mnajdra (Review)”
Hellish Form are a doom/sludge band from the US and this is their second album.
Embrace the atmospheric nightmare sludge of Hellish Form. If you do, you won’t regret it. Featuring members of Body Void, Elder Devil, and Keeper, Deathless contains 48 minutes of the good stuff. If by good stuff you mean a compelling mood-focused mix of funeral doom, sludge, and drone, of course. Continue reading “Hellish Form – Deathless (Review)”
This is the second album from UK sludge/doom metal band Wallowing.
Boasting the drummer of the amazing King Goat in their ranks, Wallowing play a sci-fi-themed mix of blackened sludge, doom, and noise. Continue reading “Wallowing – Earth Reaper (Review)”
This is the debut album from Belgian sludge/post-metal band Predatory Void.
Featuring current and ex-members of Amenra, Carnation, Living Gate, Cobra the Impaler, Oathbreaker, and Aborted, Seven Keys to the Discomfort of Being is a 43-minute multifaceted trip into extreme metal darkness. Continue reading “Predatory Void – Seven Keys to the Discomfort of Being (Review)”
Kludde are a Belgian sludge/post-black metal band and this is their third album.
After the enjoyable In de Kwelm from back in 2019, Kludde are back with 39 minutes of new material on De Horla. On their latest album Kludde have expanded on their sludge metal influences and have incorporated a more atmospheric approach to their blackened style. Continue reading “Kludde – De Horla (Review)”
Lethvm are a post-metal band from Belgium, and this is their third album.
Recommended in the promo blurb as being for fans of Neurosis, early Cult of Luna, and LLNN, this is a good indicator of what you’ll find on Winterreise. I’d also say if you take LLNN, expand their apocalyptic sound with Cult of Luna’s textured influence, then Continue reading “Lethvm – Winterreise (Review)”
Sunrot are a sludge band from the US and this is their second album.
Sunrot’s hostile music is a sludge metal monster that is enhanced by noise and effects in the manner of early Eyehategod records. It’s a 40-minute trip through the corridors of sludge and doom, and wears its influences on its sleeves like badges of honour. Sunrot know what they’re doing with the style though, and The Unfailing Rope is an enjoyable slab of heaviness. Continue reading “Sunrot – The Unfailing Rope (Review)”
This is the third album from UK sludge metal band Allfather.
A Violent Truth is a 27-minute kick to the head. This is ugly sludge metal played in the way that that it should be played; raw, honest, and brutal. Continue reading “Allfather – A Violent Truth (Review)”
This is the third album from Morass of Molasses, a stoner rock/metal band from the UK.
Following on from 2019’s The Ties That Bind, End All We Know contains 38 minutes of fuzzed-out jams. Playing a stoner-inflected brand of heavy blues that benefits from metal and rock components, Morass of Molasses bring us an individual vision of a well-worn style. Continue reading “Morass of Molasses – End All We Know (Review)”
Downfall of Gaia are a German post-black metal band and this is their sixth album.
Following on from 2016’s Atrophy and 2019’s Ethic of Radical Finitude, Sillhouettes of Disgust brings us a new 45 minutes of Downfall of Gaia’s idiosyncratic mix of black metal, post-metal, sludge, blackgaze, and crust. Continue reading “Downfall of Gaia – Silhouettes of Disgust (Review)”
Wonderbox Metal 