Mastiff are a hardcore/sludge metal band from the UK and this is their fourth album.
Both 2019’s Plague and 2021’s Leave Me the Ashes of the Earth were enjoyable slabs of ugly sludgy hardcore heaviness, so it’s great to have a new Mastiff album in our lives. Deprecipice contains 34 minutes of material, and sees Mastiff stepping up their game once more. Continue reading “Mastiff – Deprecipice (Review)”
This is the debut album from Slovakian death metal band Hecatoncheir.
Hecatoncheir play dissonant death metal, with a sharp blackened edge, and an injection of harsh sludge venom. Nightmare Utopia is a 32-minute album of abrasive nastiness, in the best of ways. Fans of bands such as Convulsing, Deathspell Omega, Ingurgitating Oblivion, Nightmarer, and Ulcerate will not want to miss this. Continue reading “Hecatoncheir – Nightmare Utopia (Review)”
This is the debut EP from US doom band Guiltless.
What do we have here then? A new band featuring members of Intronaut, Generation of Vipers, A Storm of Light, IIVII, and Battle of Mice? How supremely enticing. Thorns contains 24 minutes of music, and showcases Guiltless’ brand of nihilistic darkness well. Continue reading “Guiltless – Thorns (Review)”
This is the fourth album from Greek doom/sludge metal band Sun of Nothing.
Well, it’s been a while since I’ve heard from Sun of Nothing – well over a decade in fact – so Maze appearing unheralded into my world was really unexpected, although greatly welcomed. If you’re unfamiliar with the band’s blackened sludge metal horror, then I can heartily recommend their entire discography to you. Continue reading “Sun of Nothing – Maze (Review)”
This is the third album from US grindcore band Knoll.
Following on from 2022’s blistering Metempiric comes As Spoken, its 41-minute follow up. On their new record Knoll have continued to push their punishing sound forward, embracing the nihilistic darkness more than ever. Continue reading “Knoll – As Spoken (Review)”
This is the debut album from US post-metal band Guhts.
Guhts play post-metal that benefits from avant-garde, sludge, doom, and shoegaze elements that allow the band to build and sustain compelling musical vistas over time. It’s all about emotion and atmosphere with Guhts, and across 46 minutes Regeneration is soaked to the core with feeling. Continue reading “Guhts – Regeneration (Review)”
This is the debut album from Australian death metal band Resin Tomb.
Cerebral Purgatory is brought to us by members of Descent and Siberian Hell Sounds, and assails the listener with 29 minutes of scathing deathgrindsludge mayhem. Continue reading “Resin Tomb – Cerebral Purgatory (Review)”
Distances are a post-metal band from the US and this is their fifth album, (assuming you count 2016’s covers album Rip Offs).
Eagerly awaited after 2018’s hugely impressive Diableries, which rightfully made it into the top 3 of my album of the year list for that year, its follow up is finally here. Abstruse contains 41 minutes of new material, and finds the band altered, but full of fire and creative passion. Continue reading “Distances – Abstruse (Review)”
Yersin are from the UK and play crust/metal. This is their second album.
Yersin play a hybrid style that combines grindcore, crust, death metal, black metal, and thrash metal into 25 minutes of sludgy filth and fury. This may be a short album, but it packs a punch. Continue reading “Yersin – The Scythe Is Remorseless (Review)”
This is the second album from Swedish grindcore band Walking Corpse.
A grindcore band named, (presumably at least), after a Brutal Truth song? Count me in. I instantly knew I had to check this out. Good grind is hard to come by, so I crossed by fingers and dived right in. What did I find? Continue reading “Walking Corpse – Our Hands, Your Throat (Review)”
Wonderbox Metal 