This is the debut album from Australian instrumental metal band Vipassi.
Śūnyatā is 30 minutes of instrumental music that combines elements of progressive, technical and death metal together to form an engaging and thoughtful listening experience.
Atheist, Cynic and Death are the Continue reading “Vipassi – Śūnyatā (Review)”
Memories in Broken Glass are a modern metal band from the US. This is their debut album.
This is modern progressive/technical metal with a djent slant that showcases how it’s easily possible to create involving modern music without it coming off as overproduced plastic rubbish. Continue reading “Memories in Broken Glass – Enigma Infinite (Review)”
Riviẽre are a progressive metal band from France and this is their debut album.
This is an intriguing blend of styles that uses progressive metal as a base to launch forays into post-rock, post-hardcore and alternative metal.
As you may be able to ascertain from Continue reading “Riviẽre – Heal (Review)”
This is the debut EP from Everest Queen, a sludge metal band from the UK.
The first song, Ascent, sets out Everest Queen’s love of heaviness in no uncertain terms. At just over a minute in length it’s just an intro track, a warm up for the two main events to come. Continue reading “Everest Queen – Everest Queen (Review)”
Legendary Brazilian metal band Sepultura return with their fourteenth album.
On Machine Messiah Sepultura continue their blend of thrash, modern metal, experimental metal and tribal percussion, and they do this in such a way on this release that they sound revitalised, energised and fresh.
The band’s albums are frequently exploratory and tentative in nature, with a mix of straightforward metal tracks and more experimental ones that see them pushing the envelope and trying new things. Continue reading “Sepultura – Machine Messiah (Review)”
[::] are an instrumental post-metal band from Poland. This is their debut album.
Pronounced 4 Dots, the band features an ex-member of the mighty Obscure Sphinx, which immediately made me keen to find out what they had to offer on this release.
The album reveals itself Continue reading “[::]/4 Dots – Aux::in (Review)”
Arcade Messiah is a one-man progressive metal project from Ireland. This is his third album.
Although there are some vocals on this release, it’s mainly instrumental, with the man behind the band making sure that the music has the starring role.
The songs are the kind of modern, progressive Continue reading “Arcade Messiah – III (Review)”
This is the debut album from Abduction, a black metal band from France.
Une Ombre Régit les Ombres consists of songs that are epic in length and vision, blasting out of the darkness with confidence, style and much aplomb. The music is a mix of progressive black/death metal, more skewed to the blackened side of things, if only due to the atmospheres evoked and the rasping screams of the main vocals. Continue reading “Abduction – Une Ombre Régit les Ombres (Review)”
Bearstorm are a progressive black metal band from the US and this is their latest EP.
Bearstorm play progressive black metal, but if you haven’t heard them before I can all but guarantee that they don’t sound as you’d expect them to.
Their previous album Americanus was an unusual record. A very good one, but a very individual one that was probably too much of an acquired taste for most. A shame, but their loss, (whoever they are), is our gain. Continue reading “Bearstorm – Biophobia (Review)”
A Sense of Gravity are a progressive metal band from the US. This is their second album.
I bet you’ve always wanted a record that mixes Dream Theater and Between the Buried and Me haven’t you? Well, now you have one. With symphonic/neoclassical elements combined with extreme metal, this is 68 minutes of progressive metal delivered just the way we like it; interesting and exciting. Continue reading “A Sense of Gravity – Atrament (Review)”
![[::]/4 Dots – Aux::in (Review)](https://wonderboxmetal.com/wp-content/uploads/2016/12/4-dots.jpg?w=700)
Wonderbox Metal 