Zaius – Of Adoration (Review)

ZaiusZaius are an instrumental post-rock band from the US and this is their debut album.

This is a multifaceted release of progressive/post-rock, fusing elements of bands such as Russian Circles, Red Sparowes, Pelican, Scale the Summit, Cloudkicker, and Between the Buried and Me into a rich, textured journey. As I’ve opined Continue reading “Zaius – Of Adoration (Review)”

Ravens – Comfort Is a Slow Death/Freedom from Worry and the Fear (Review)

RavensRavens are a post-rock band from Ireland and this is their debut release.

This release contains two songs, has less than 9 minutes of music, and is instrumental in nature. It’s basically to whet the appetite. Continue reading “Ravens – Comfort Is a Slow Death/Freedom from Worry and the Fear (Review)”

The Great Curve – Something Grand Is Dying (Review)

The Great CurveThe Great Curve are from the US and this is their second release. They play experimental/Progressive Rock.

The Great Curve play an interesting and richly-coloured form of Rock that involves a complex blend of technicality and emotion.

The music has a certain cinematic quality to it and could easily be viewed as a soundtrack of sorts. The tracks are synth, keyboard, strings and piano-heavy, featuring layers upon layers of instrumentation and vocalisations. This is Progressive Rock in the truest sense, sharing common ground with 70s sci-fi-influenced greats, albeit updated for the current era.

The singing on these tracks is used purely as another form of instrument that blends in with the overall musical framework. There are no “lead vocals” as you would expect from most bands, (well there are, they just blend in with the music so well). This leaves the band in the curious position of kind of being an instrumental band, but with vocals, (as odd as that sounds).

This is just one of many contradictions and juxtapositions that the band heartily embrace in order to get the sound that they have. Another example of this is that The Great Curve sound, in some ways, like a Djent band only without any of the Djent guitars. Yes, I know that also sounds odd, but it’s a strong impression; the band have the technical drumming, electronic enhancements and experimental mindset that good Djent can have, but without any of the Djent guitar riffs that mark the style so well as to make it an easily-stale sub-genre.

So, if you take a Djent band, (minus guitars), add a Devin Townsend influence, add a science-fiction-esque influence, add a touch of the instrumental, (maybe Russian Circles or Cloudkicker), wrap it up in Progressive music and frame it as a soundtrack…it’s a good start to understanding The Great Curve.

Or you can just give them a listen, which I heartily recommend.

There’s a lot to enjoy here, so much so that you’ll need a few spins to properly appreciate just how good this is. For all its initial impact, it’s definitely a grower too, like all of the best music really. Something Grand Is Dying worms its way into your head and stays there, subtly working away at its own agenda. Before you know it you’re returning to it again to revel in its sense of grandeur.

Hopefully, this grandeur isn’t dying; hopefully it’s just getting started. Hopefully, there’ll be more where this came from in the future.