This is the second album from US metal band Curses.
Curses offer quite a diverse/individual listen when compared to many bands who play in the modern metal arena. Continue reading “Curses – Chapter II: Bloom (Review)”
This is the second album from US metal band Curses.
Curses offer quite a diverse/individual listen when compared to many bands who play in the modern metal arena. Continue reading “Curses – Chapter II: Bloom (Review)”
July was packed with strong releases. With some quality highly anticipated albums seeing the light of day in July, (Defeated Sanity, Gaerea, Imperial Triumphant), I decided to focus on some of my favourites from last month that were less likely to get loads of media coverage, (and it was a struggle to limit the selection to five). So, with that in mind, my highlights are below. What are yours? Continue reading “Monthly Overview – the Best of July 2020”
This is the fourth album from US avant-garde black/death metal band Imperial Triumphant.
Referring to Imperial Triumphant as a black/death metal band, (as I’ve just done here for sake of brevity), is highly misleading really, as this is one of the more individual and unique bands in existence. They play an avant-garde, experimental mix of styles that includes, (but is not limited to), black metal, death metal, progressive metal, doom, jazz, and post-everything. Continue reading “Imperial Triumphant – Alphaville (Review)”
Descend into Despair are a Romanian doom metal band, and this is their third album.
I like Descend into Despair very much. Both 2014’s The Bearer of All Storms and 2017’s Synaptic Veil scratched that funeral doom itch quite nicely. Continue reading “Descend into Despair – Opium (Review)”
This is the debut album from Canadian doom band Empress.
I enjoyed 2017’s Reminiscence, with its psychedelic grooves and rolling riffs. It set out a strong opening argument for the band, which Premonition now ably capitalises on. Combining elements of doom, sludge, progressive, and post-metal into 49 minutes of expressive, mood-focused music, Premonition is a thoroughly convincing affair. Continue reading “Empress – Premonition (Review)”
Judicator are a power metal band from the US and this is their fifth album.
Let There Be Nothing is a 60-minute concept album, one that’s epic on scope and ambition. Will this be 2020’s best power metal release? Well, it’s certainly the best one I’ve heard so far, for whatever that’s worth. Continue reading “Judicator – Let There Be Nothing (Review)”
No preamble this month, let’s just get right down to it… Continue reading “Monthly Overview – the Best of June 2020”
This is the debut album from Tiberius, a progressive metal band from the UK.
If you fancy a spot of technical wizardry with your big choruses, and are partial to a bit of Protest the Hero or the more accessible side of Between the Buried and Me, then you might want to check out these Scottish metallers. Continue reading “Tiberius – A Peaceful Annihilation (Review)”
Dismalimerence are a black metal band from the US and this is their debut album.
Tome: 1 contains 53 minutes of atmospheric/progressive black metal. Dismalimerence adopt a modern approach to their material. Wrapping an atmospheric emphasis around progressive flourishes, these eight tracks take in a variety of moods, paces, and feelings, resulting in tracks that are enjoyable and satisfying. Continue reading “Dismalimerence – Tome: 1 (Review)”
Altesia are a French progressive metal band and this is their debut album.
Despite seeing the light of day at the end of 2019, I felt compelled to shine a light on Paragon Circus once I had made its acquaintance, as it really is a damn fine record. Across 57 minutes of material, Altesia take us on a journey that’s as compelling as it is enjoyable. Continue reading “Altesia – Paragon Circus (Review)”