Descend into Despair are a Romanian doom metal band, and this is their third album.
I like Descend into Despair very much. Both 2014’s The Bearer of All Storms and 2017’s Synaptic Veil scratched that funeral doom itch quite nicely. Continue reading “Descend into Despair – Opium (Review)”
This is the debut album from Canadian doom band Empress.
I enjoyed 2017’s Reminiscence, with its psychedelic grooves and rolling riffs. It set out a strong opening argument for the band, which Premonition now ably capitalises on. Combining elements of doom, sludge, progressive, and post-metal into 49 minutes of expressive, mood-focused music, Premonition is a thoroughly convincing affair. Continue reading “Empress – Premonition (Review)”
Judicator are a power metal band from the US and this is their fifth album.
Let There Be Nothing is a 60-minute concept album, one that’s epic on scope and ambition. Will this be 2020’s best power metal release? Well, it’s certainly the best one I’ve heard so far, for whatever that’s worth. Continue reading “Judicator – Let There Be Nothing (Review)”
No preamble this month, let’s just get right down to it… Continue reading “Monthly Overview – the Best of June 2020”
This is the debut album from Tiberius, a progressive metal band from the UK.
If you fancy a spot of technical wizardry with your big choruses, and are partial to a bit of Protest the Hero or the more accessible side of Between the Buried and Me, then you might want to check out these Scottish metallers. Continue reading “Tiberius – A Peaceful Annihilation (Review)”
Dismalimerence are a black metal band from the US and this is their debut album.
Tome: 1 contains 53 minutes of atmospheric/progressive black metal. Dismalimerence adopt a modern approach to their material. Wrapping an atmospheric emphasis around progressive flourishes, these eight tracks take in a variety of moods, paces, and feelings, resulting in tracks that are enjoyable and satisfying. Continue reading “Dismalimerence – Tome: 1 (Review)”
Altesia are a French progressive metal band and this is their debut album.
Despite seeing the light of day at the end of 2019, I felt compelled to shine a light on Paragon Circus once I had made its acquaintance, as it really is a damn fine record. Across 57 minutes of material, Altesia take us on a journey that’s as compelling as it is enjoyable. Continue reading “Altesia – Paragon Circus (Review)”
May held some strong releases, so let’s get down to business right away… Continue reading “Monthly Overview – the Best of May 2020”
This is the fourth album from progressive stoner/sludge doom metallers Forming the Void.
I enjoy Forming the Void’s work; 2018’s split with Pyreship and Rift were both quality releases, but on Reverie, the band have produced something quite wonderful. Continue reading “Forming the Void – Reverie (Review)”
Bear are a progressive metal band from Belgium and this is their fourth album.
I really, really enjoyed 2017’s ///, and it grew on me over time more and more. Well, I haven’t had years to absorb the true nature of Propaganda yet, but damn does it seem just as good, if not better than ///. Continue reading “Bear – Propaganda (Review)”
Wonderbox Metal 