This is the third album from Algebra, a thrash metal band from Switzerland.
Having been impressed with 2014’s Feed the Ego, it’s been far too large of a gap between Algebra releases for my liking. Well, there’s almost an hour of material on Pulse?, including a fiery Sepultura cover, so I feel like the band have made up for their absence. Continue reading “Algebra – Pulse? (Review)”
Tonight’s entertainment comes in the form of a first-rate death metal bill. Let’s dive in! Continue reading “A Vile Desolate Sands Tour – Nile/Hate Eternal/Vitriol/Omophagia – Manchester Club Academy, 24/09/19 (Live Review)”
Arallu are black metal band from Israel and this is their seventh album.
I always really like Arallu’s work, (check out Six, Geniewar, and Desert Battles – Descending to the Sands), so it’s exciting to see a new album emerge. Continue reading “Arallu – En Olam (Review)”
Sur Austru are an atmospheric black/folk metal band from Romania and this is their debut album.
Featuring ex-members of Negura Bunget, Sur Austru play a black/folk metal hybrid that has surprised me by how much I’ve enjoyed it. Continue reading “Sur Austru – Meteahna Timpurilor (Review)”
Godeater are a death metal band from the UK and this is their debut album.
This is a raging, angry slab of ferocious modern death metal. It blends modern technicality with significant atmosphere and a melodic sensibility that results in brutally effective songs that stick in the mind like barbed thorns. Continue reading “Godeater – All Flesh Is Grass (Review)”
This is the third album from Greek death metallers Murder Made God.
Here we have 40 minutes of modern death metal, providing a sound that’s meaty and professional. Well-delivered and well-written, Endless Return is an album that impresses on first exposure, but definitely Continue reading “Murder Made God – Endless Return (Review)”
This is the third album from US crusty death metallers Bones.
Sons of Sleaze came out in 2013 and made a mess. Featuring current and ex-members of Usurper, the band clearly had the filthy talents, and now they’re back to make an even bigger mess of things with Diseased. Continue reading “Bones – Diseased (Review)”
This is the second album from White Ward, a Ukrainian post-black metal band.
2017’s Futility Report was striking and enjoyable, mixing cold black metal with an avant-garde modern edge. Compared to Love Exchange Failure, however, it’s almost as if Futility Report was the prototype of this new album. Expanded Continue reading “White Ward – Love Exchange Failure (Review)”
No One Knows What the Dead Think are a grindcore band from the US and this is their debut album.
Featuring ex-members of the mighty Discordance Axis, No One Knows What the Dead Think contains 19 minutes of vicious, scathing music, (including a reworking of a Discordance Axis track). I haven’t been lucky enough to have this Continue reading “No One Knows What the Dead Think – No One Knows What the Dead Think (Review)”
Wonderbox Metal 