This is the second album from US blackened hardcore band Wolf King.
2018’s Loyal to the Soil was an enjoyable slice of vicious nastiness, so I knew that Continue reading “Wolf King – The Path of Wrath (Review)”
This is the second album from US blackened hardcore band Wolf King.
2018’s Loyal to the Soil was an enjoyable slice of vicious nastiness, so I knew that Continue reading “Wolf King – The Path of Wrath (Review)”
Landmvrks are a French metalcore band and this is their third album.
After their solid 2018 effort Fantasy, Landmvrks are now back with another 33 minutes of material. Lost in the Waves is heavier than its predecessor, but without losing its melodic edge. Shorter than the album that preceded it, it’s also more diverse. Continue reading “Landmvrks – Lost in the Waves (Review)”
New year, new metal. What did January have to offer? More than it usually does, it turns out. Let’s take a look at five of the best… Continue reading “Monthly Overview – the Best of January 2021”
Portrayal of Guilt are a blackened hardcore band from the US and this is their second album.
And now for 26 minutes of grim darkness and murderous brutality. Portrayal of Guilt play the sort of ultra-nasty hardcore that can lacerate flesh at 1000 paces. Mixing together blistering hardcore and angry punk with a blackened sheen, this is not for the faint of heart. Continue reading “Portrayal of Guilt – We Are Always Alone (Review)”
Regnvm Animale are a black metal band from Sweden and this is their latest EP.
Regnvm Animale play black metal with a crust influence. As far as EPs go, Ignis Sacer is longer than some albums at 27 minutes in length. Due to my intense dislike of anything spoken word, the intro is a complete waste of space for me, but the remaining four tracks certainly aren’t. Continue reading “Regnvm Animale – Ignis Sacer (Review)”
Almost every year I think about how challenging it is to compile a definitive best of list, and how subjective it is, etc. Although that’s still true for this collecting of albums, this year, however, has been easier than most. 2020 has been heavy on the black metal for me. It’s been my most reviewed genre, in all its myriad permutations, and this is reflected in the below list.
For the longest of times the bands in positions 5 and 6 vied for top position, but then October and November happened. All of a sudden, unexpectedly, these two months unleashed a wealth of quality, and stole the top four positions in a rampant display of blackened supremacy.
I hope you enjoy the below recommendations of mine and find something new to obsess over. Let me know how you get on.
Let’s dig in… Continue reading “Wonderbox Metal End of Year List – Best Metal of 2020”
Of Feather and Bone are a death metal band from the US and this is their third album.
This is the follow up to 2018’s brutal Bestial Hymns of Perversion. Of Feather and Bone’s newest album digs deep into the past to produce a grim treasure trove of primal deathly delights. Continue reading “Of Feather and Bone – Sulfuric Disintegration (Review)”
This is the second album from Déluge, a French post-black metal band.
This is the follow up to 2015’s striking Æther, which was a powerhouse of violence and atmosphere. Five years later, and the band are not the same beast anymore, not completely anyway. Ægo Templo takes the Continue reading “Déluge – Ægo Templo (Review)”
Bleeding Out are a Canadian deathgrind band and this is their debut album.
I like a bit of deathgrind, as it tends to be a melting pot of extremity that can sometimes have very engaging results, as it does with Lifelong Death Fantasy. Combining vicious grindcore with violent hardcore Continue reading “Bleeding Out – Lifelong Death Fantasy (Review)”
Among Phantoms are a hardcore band from Denmark and this is their debut album.
This is a modern brand of hardcore, with elements of metalcore that can be heard, alongside a healthy rock influence. Continue reading “Among Phantoms – Memories/Catastrophes (Review)”