[ B O L T ] offer a single track and start us off on this split with the 21-minute [ 0 6 ]. Continue reading “[ B O L T ]/Morasth – [ B O L T ] vs. Morasth – Split (Review)”
I love bands that play horrible, nihilistic, pitch-black doom/sludge, and Body Void are my latest discovery in this vein. If you’re a fan of bands such as Primitive Man, Khanate, Bongripper, CHRCH, and Keeper, for example, then this is very definitely for you. Continue reading “Body Void – I Live Inside a Burning House (Review)”
Triatom is a long, involved, and weighty release that spreads out to cover doom, atmospheric, progressive, sludge, and post-metal territories across its playing time of 72 minutes. Continue reading “Endname – Triatom (Review)”
Keeper are up first with 777, clocking in at almost 14 minutes.
777 is crushingly repetitive Sludge Doom with acerbic, toxic screams that tear through the meaty guitars like a serrated blade through flesh.
This is a song that glorifies the heavy riff, slows it down and then makes it even thicker than normal through some form of arcane jiggery-pokery. Yes, that’s the term.
Imagine Khanate if they had the structure of Electric Wizard. Agonizingly delectable.
Uncompromisingly bleak, Keeper show that they mean business and easily have what it takes to join the big leagues of filthy, hateful Doom.
The wonderfully named Sea Bastard are next with Astral Rebirth, which is almost 21 minutes long.
Astral Rebirth is another lumbering behemoth of a song. Long, slow and heavy; Sea Bastard have come to flatten everything.
Imagine Bongripper if they had deep growling/high screaming vocals and you’ll be in the general area.
This is another song that is relentlessly heavy and is crushingly repetitive; flowing tsunamis of heavy guitars seem to repeatedly peak and crash on the listener. The Doom is huge and we love it this way.
Not content with just playing slow, the pace does pick up but the feeling of being compressed down by an immense weight never leaves. Heaviness is in their DNA.
Both bands to an excellent job of their time on this split and if you’re looking for a good introduction to some top quality Doom then look no further.
The riffs are chunky and full of substance; you won’t go hungry for heaviness here as the band have a nice organic sound that shows off their Doom-laden platter and allows all-comers to gorge on their ample treats.
The first song Dark Descent is an instrumental slow burner of monolithic and classic Doom Metal that crushes the listener in grand riffs before devolving into almost space-age noise and bleeps, then suitably recovering itself for the end of the track.
It’s only on the second song In Constant Shadows that we get to hear the vocals; powerful dirty-cleans that are belted out with strength and passion and fit perfectly with the warm, living sound of the rest of the band.
Each of the songs has a vibrant central core, wrapped lovingly in an earthy embrace of colossal riffs and songwriting know-how. Each track sounds lived in and worked on by enthusiastic hands and wise minds. Laid-back and easy going, but heavy and relentless; not a million miles away from what I imagine Bongripper would song like if they had a singer and shorter songs.
At 27 minutes the band have well and truly captured my attention with their considerable skills. A recommended listen for sure, and here’s hopefully to an album in the future.