Both hailing from the US, Y-Incision and Treasonist each play variants of grindcore.
Y-Incision open the split with 10 minutes of material – 6 songs, one of which is a Treasonist cover. Continue reading “Y-Incision/Treasonist – Mechanical Perdition – Split (Review)”
This is the second album from US death metal band Blood Incantation.
2016’s Starspawn was a very notable album, making it onto my end of year list for that year too. As such, there’s been plenty of excitement and expectation for Hidden History of the Human Race. Despite only having four tracks, this new release has not disappointed at all. Continue reading “Blood Incantation – Hidden History of the Human Race (Review)”
This is the debut album from UK death metal band Strigoi.
Brought to us from the guitarist of Paradise Lost, rising out of the ashes of his Vallenfyre project, he’s joined on Srigoi by members of both bands, (one of which is also an ex-member of Extreme Noise Terror), giving us 44 minutes of engaging and individual death metal. Continue reading “Strigoi – Abandon All Faith (Review)”
This is the third album from UK death metallers Unfathomable Ruination.
Enraged and Unbound is a contains a monstrous 43 minutes of brutal, technical death metal. Continue reading “Unfathomable Ruination – Enraged and Unbound (Review)”
This is the second album from Drift into Black, a solo, (with guest musicians), death/doom metal act from the US.
Anthems from the Darkest Winter contains 56 minutes of material, (including a Pink Floyd cover). The music mixes death, doom, and Gothic metal together into songs that have a good balance between all three strains of heaviness. Continue reading “Drift into Black – Anthems from the Darkest Winter (Review)”
This is the second album from Iapetus, a progressive death metal band from the US.
2017’s The Long Road Home impressed with its colossal take on atmospheric, progressive, melodic death metal. Now, in 2019, the band have returned with an even more professional delivery and production, one which features the percussive skill of the drummer of Ne Obliviscaris too. As for the music? Well, it’s simply breathtakingly good. Continue reading “Iapetus – The Body Cosmic (Review)”
This is the debut album from Spanish death metallers Orthodoxy.
On their first record Orthodoxy deliver 43 minutes of death metal that’s dark and malevolent. Taking influence from old-school death metal acts, (such as Incantation and Immolation, but without being limited to these), Novus Lux Dominus is a satisfying example of an album that’s both crushingly heavy and atmospherically malignant. Continue reading “Orthodoxy – Novus Lux Dominus (Review)”
Although not as jam-packed as September, October still had its fair share of Grade A metal releases. Check out my top picks below – Continue reading “Monthly Overview – the Best of October 2019”
Paganizer are a Swedish death metal band and this is their eleventh album.
Paganizer are a very well-respected band with an imposing body of work, (we’ve covered On the Outskirts of Hades and Land of Weeping Souls in the past). Brought to us by the legendary Rogga Johansson, (Echelon, Megascavenger, The Grotesquery, Those Who Bring the Torture, Just Before Dawn, Ursinne, and many more!), The Tower of the Morbid is 38 minutes of Grade A Swedish death metal ready to destroy. Continue reading “Paganizer – The Tower of the Morbid (Review)”
Nile are a US death metal band and this is their ninth album.
On Vile Nilotic Rites Nile return with a new lineup and a new approach to songwriting. There’s a greater cohesion in how the band members work together, and subsequently how their instruments and vocals fit with each other, meaning that the songs on this new album are very high quality. Nile sound focused and hungry. Continue reading “Nile – Vile Nilotic Rites (Review)”
Wonderbox Metal 