Vomit Fist are a grindcore band from the US and this is their latest release.
Here we have 20 minutes of complex, vicious grindcore. This is not your standard grindcore, however, and Vomit Fist have produced something far more atypical and individual than most. Continue reading “Vomit Fist – Omnicide (Review)”
Another year gone by, where does all the time go? Listening to metal I suppose, that’s where. Every year brings more metal delights, so I invite you to partake of 30 of my favourites from the rather metallically fertile 2019. Let me know which ones are your favourites to! Continue reading “Wonderbox Metal End of Year List – Best Metal of 2019”
Oak are a Portuguese funeral death/doom band and this is their debut album.
Featuring members of the mighty Gaerea, this album contains 51 minutes of slow, mournful doom. Heavy and atmospheric, Lone is a doom album tour de force. Continue reading “Oak – Lone (Review)”
In Obscurity Revealed are a blackened death metal band from Mexico and this is their debut album.
After thoroughly enjoying the all-too-brief Grim Fumes of Revelation in 2016, I’ve been looking forward to hearing more material from this band. Apparently I’m late to the party, however, as this album originally saw the light of day at the end of 2018. Still, it’s been worth the wait. Continue reading “In Obscurity Revealed – Glorious Impurity (Review)”
This is the latest release by UK melodic death metallers Horrified.
We last met Horrified in 2017 with Allure of the Fallen, which was the band’s crowning achievement after the pleasing progression between the old-school nastiness of Descent into Putridity and the shinier, slicker Of Despair. Continue reading “Horrified – Sentinel (Review)”
This is the third album from Psychomancer, a death metal band from the US.
Shards of the Hourglass is a monstrous death/thrash metal release that falls somewhere between Swedish death metal and the more adventurous side of 90s death and thrash metal. There’s a vicious German influence too – think a mix of Vader and Destruction. Take all of this together and it makes for a surprisingly engaging 58-minute blend of extreme metal. Continue reading “Psychomancer – Shards of the Hourglass (Review & Interview)”
What an unreasonably strong month for metal releases November was! Be assured, this list could have been much, much bigger. Let’s see what made the cut… Continue reading “Monthly Overview – the Best of November 2019”
Impenitent are a blackened death metal band from the UK and this is their debut album.
Here we have some raw, underground stuff from the bottom of the underworld. It’s an hour of technical black/death metal, played with skill and passion, which sounds as if the recording of the album was recently found locked in some obscure vault somewhere after many, many years. Continue reading “Impenitent – Impenitent (Review)”
Bölzer are a Swiss black metal band and this is their latest EP.
Bölzer’s music is impressively creative and idiosyncratic, and their take on blackened metal is both enjoyable and infectious. An EP this may be, but there’s still 29 minutes of material here. Continue reading “Bölzer – Lese Majesty (Review)”
Teeth are a death metal/grindcore band from the US, and this is their second album.
A new Teeth album! I’ve been following this band ever since their debut album Unremittance was unleashed in 2014. After that, we had their very tasty split with Fister, and then the downright delicious split with Barghest. Unlike the latter, with Continue reading “Teeth – The Curse of Entropy (Review)”
Wonderbox Metal 