This is the third album from UK death metallers Unfathomable Ruination.
Enraged and Unbound is a contains a monstrous 43 minutes of brutal, technical death metal. Continue reading “Unfathomable Ruination – Enraged and Unbound (Review)”
Tag: Death Metal
Drift into Black – Anthems from the Darkest Winter (Review)
This is the second album from Drift into Black, a solo, (with guest musicians), death/doom metal act from the US.
Anthems from the Darkest Winter contains 56 minutes of material, (including a Pink Floyd cover). The music mixes death, doom, and Gothic metal together into songs that have a good balance between all three strains of heaviness. Continue reading “Drift into Black – Anthems from the Darkest Winter (Review)”
Iapetus – The Body Cosmic (Review)
This is the second album from Iapetus, a progressive death metal band from the US.
2017’s The Long Road Home impressed with its colossal take on atmospheric, progressive, melodic death metal. Now, in 2019, the band have returned with an even more professional delivery and production, one which features the percussive skill of the drummer of Ne Obliviscaris too. As for the music? Well, it’s simply breathtakingly good. Continue reading “Iapetus – The Body Cosmic (Review)”
Orthodoxy – Novus Lux Dominus (Review)
This is the debut album from Spanish death metallers Orthodoxy.
On their first record Orthodoxy deliver 43 minutes of death metal that’s dark and malevolent. Taking influence from old-school death metal acts, (such as Incantation and Immolation, but without being limited to these), Novus Lux Dominus is a satisfying example of an album that’s both crushingly heavy and atmospherically malignant. Continue reading “Orthodoxy – Novus Lux Dominus (Review)”
Monthly Overview – the Best of October 2019
Although not as jam-packed as September, October still had its fair share of Grade A metal releases. Check out my top picks below – Continue reading “Monthly Overview – the Best of October 2019”
Paganizer – The Tower of the Morbid (Review)
Paganizer are a Swedish death metal band and this is their eleventh album.
Paganizer are a very well-respected band with an imposing body of work, (we’ve covered On the Outskirts of Hades and Land of Weeping Souls in the past). Brought to us by the legendary Rogga Johansson, (Echelon, Megascavenger, The Grotesquery, Those Who Bring the Torture, Just Before Dawn, Ursinne, and many more!), The Tower of the Morbid is 38 minutes of Grade A Swedish death metal ready to destroy. Continue reading “Paganizer – The Tower of the Morbid (Review)”
Nile – Vile Nilotic Rites (Review)
Nile are a US death metal band and this is their ninth album.
On Vile Nilotic Rites Nile return with a new lineup and a new approach to songwriting. There’s a greater cohesion in how the band members work together, and subsequently how their instruments and vocals fit with each other, meaning that the songs on this new album are very high quality. Nile sound focused and hungry. Continue reading “Nile – Vile Nilotic Rites (Review)”
Cleric – Serpent Psalms (Review)
This is the second album from Cleric, a death metal band from the US.
It’s been quite a wait since 2013’s very tasty Gratum Inferno, and so, sucker that I am for this sort of thing, I was eagerly looking forward to this one. Continue reading “Cleric – Serpent Psalms (Review)”
Hour of Penance – Misotheism (Review)
This is the eighth album from Hour of Penance, an Italian death metal band.
The follow up to 2017’s enjoyable Cast the First Stone, Misotheism offers the listener 41 minutes of professional, merciless death metal. Blending brutality and technicality well, this new album is easy to listen to if you’re a fan of solid, classically-delivered death metal. Continue reading “Hour of Penance – Misotheism (Review)”
Fit for an Autopsy – The Sea of Tragic Beasts (Review)
Fit for an Autopsy are a deathcore band from the US and this is their fifth album.
This album follows on from 2017’s hugely enjoyable The Great Collapse, which stood tall and proud as an example of deathcore that took influence from the original parameters of the genre, but had also progressed beyond it. The Sea of Tragic Beasts finds the band continuing down their chosen path, merging deathcore ferocity with post-deathcore progressive atmospherics and emotional content. Continue reading “Fit for an Autopsy – The Sea of Tragic Beasts (Review)”
Wonderbox Metal 