This is the second album from Exordium Mors, a black metal band from New Zealand.
It has been eight long years since 2014’s The Apotheosis of Death, but now Exordium Mors have returned triumphant with the 43-minute As Legends Fade and Gods Die. Continue reading “Exordium Mors – As Legends Fade and Gods Die (Review)”
This is the debut album from Finnish death metallers Devenial Verdict.
Containing an ex-member of Hooded Menace, Ash Blind provides the listener with 44 minutes of atypical death metal. The promo blurb recommends this for fans of acts such as Ulcerate, Aeviterne, Morbid Angel, Mithras, and Blut Aus Nord, which is a good place to start from when approaching Ash Blind. To this list I’ll also add older Rivers of Nihil and Gojira. Continue reading “Devenial Verdict – Ash Blind (Review)”
This is the sixth album from Swedish death/thrash metal act Defleshed.
It’s been 17 long years since Defleshed’s last album, but now they’re back with the 34-minute monster that is Grind over Matter. Hang on tight, as you’re in for a wild, but fun ride. Continue reading “Defleshed – Grind over Matter (Review)”
This is the debut album from international death metallers Obsidious.
Containing current and ex-members of bands such as Alkaloid and Obscura, Obsidious play a form of progressive/technical death metal that melts faces, but does so with an epic hook. Continue reading “Obsidious – Iconic (Review)”
Voidthrone are a US black metal band and this is their third album.
I enjoyed both 2016’s Spiritual War Tactics and 2018’s Kur, so after four long years it’s about time we heard more from Voidthrone. Metaphysical Degradation is a 38-minute mix of black and death metal dissonance, delivered with spite and wrapped in venom. Continue reading “Voidthrone – Metaphysical Degradation (Review)”
This is the third album from Norwegian symphonic death/doom band Abyssic.
Oh my, here’s one I’ve definitely been looking forward to. 2015’s A Winter’s Tale and High the Memory were both stunning records that have only grown in my estimation over time. Towering monoliths of symphonic doom and misery, those records have definitely made me hungry for Brought Forth in Iniquity. Continue reading “Abyssic – Brought Forth in Iniquity (Review)”
This is the latest EP from Worm, a blackened death/doom band from the US.
Worm return! After the monstrous slab of blackened doom malevolence that was 2021’s Foreverglade, Worm are back with 27 minutes of foul new material. Continue reading “Worm – Bluenothing (Review)”
This is the second album from US deathcore band A Wake in Providence.
The promo blurb states that this is for fans of bands like Osiah, Signs of the Swarm, and Aversions Crown, and who am I to disagree with that? Okay, well maybe a little. I’d mention bands like Lorna Shore, Mental Cruelty, and Worm Shepherd too, as A Wake in Providence Continue reading “A Wake in Providence – Eternity (Review)”
This is the third album from Danish blackened deathcore band Cabal.
A new Cabal album is very welcome. 2020’s Drag Me Down was murderously good fun, so it’s great to greet Magno Interitus‘ 36 minutes with big expectations. But have Cabal once again delivered the goods? Continue reading “Cabal – Magno Interitus (Review)”
Exhumed are a death metal band from the US and this is their eighth album.
I like Exhumed a great deal, and have enjoyed seeing their sound progress, (Death Revenge), then regress, (Horror), over the years, all very enjoyably. New album To the Dead offers 39 minutes of bloodsoaked material in a somewhat similar fashion to their Continue reading “Exhumed – To the Dead (Review)”
Wonderbox Metal 