This is the second album from US blackened hardcore band Funeral Chic.
Fourteen tracks of violent, foul, ugly blackened hardcore? Yes please! How could I resist? Continue reading “Funeral Chic – Superstition (Review)”
This is the second album from US blackened hardcore band Funeral Chic.
Fourteen tracks of violent, foul, ugly blackened hardcore? Yes please! How could I resist? Continue reading “Funeral Chic – Superstition (Review)”
Sigh are a Japanese black/avant-garde metal band and this is their eleventh album.
A new Sigh album is always somewhat of an event, and you never really quite know what you’re going to be getting yourself into with it. This latest album follows on after the symphonic blackened offering of 2015’s Graveward, but distances itself from its predecessor quite significantly by giving us 53 minutes of material that’s been influenced by folk and old/obscure progressive rock more than ever before. Continue reading “Sigh – Heir to Despair (Review)”
1914 are a Ukrainian blackened death/doom band and this is their second album.
I enjoy 1914’s work a lot, (check out Eschatology of War and their split with Minenwerfer, for example). With an appropriate concept for a band with this name, their latest creation is crushingly heavy and full of monolithic songs that devastate and destroy. Continue reading “1914 – The Blind Leading the Blind (Review)”
The UK’s Damnation Festival has once again rolled around, and it’s time for all good music fans to get themselves to Leeds and bask in the amazing lineup that the festival gods always seem to be able to pull together. As you can see from the above poster, this year boasted some great talent.
The running times I’ll post below, so you can get an idea of how the day ran. The festival was once again sold out this year, and really felt it. Continue reading “Damnation Festival – Leeds University, 03/11/18 (Live Review)”
Thron are a German melodic black metal band and this is their second album.
Thron play professionally-recorded black metal influenced by the second wave, with bands such as Dissection, Dimmu Borgir, Naglfar, Necrophobic, and Marduk worthy of mention as decent starting points for Abysmal. Continue reading “Thron – Abysmal (Review)”
So what do we have for you this month? What new batch of metal delights has been unleashed upon the world in October? Let’s find out… Continue reading “Monthly Overview – the Best of October 2018”
Languish are a grindcore band from the US and this is their second album.
Featuring members of North and Gatecreeper, Languish offer up 27 minutes of grim extremity and chaotic brutality. Continue reading “Languish – Unworthy (Review)”
Outre are a Polish black metal band and this is their second album.
After 2015’s Ghost Chants and 2017’s split with Barshasketh, it’s safe to say that Hollow Earth has been much-awaited by me. I have not been disappointed, not at all. Continue reading “Outre – Hollow Earth (Review)”
This is the third album from US one man atmospheric black metal band Eneferens.
Eneferens is a project that I swear I’ve not only listened to in the past, but reviewed also. It turns out that this isn’t true, so I have no idea what I must be thinking of. Continue reading “Eneferens – The Bleakness of Our Constant (Review)”
This is the third album from Entropia, a Polish experimental/post-black metal band.
I am extremely fond of Entropia. Both Vesper and Ufonaut have had much rotation on my playlists, so when I saw they had a new album released I was quite excited. Continue reading “Entropia – Vacuum (Review)”