This is the third album from Swiss/Italian progressive metal band Virtual Symmetry.
Virtual Symmetry play progressive metal, and on their self-titled new album they give us 63 minutes of professionally crafted material. Also, you’ve got to love it when a band opens their album with a 20-minute epic. Spoiler alert – it’s a very good track indeed. Continue reading “Virtual Symmetry – Virtual Symmetry (Review)”
This is the eighth album form US progressive metallers Leviathan.
I first encountered Leviathan on 2014’s Beholden to Nothing, Braver Since Then. I enjoyed that record, so have made sure to catch up with the band every time they produce something new; 2018’s Can’t be Seen by Looking: Blurring the Lines, Clouding the Truth and Continue reading “Leviathan – Mischief of Malcontent (Review)”
This is the third album from Burial in the Sky, a death metal band from the US.
The Consumed Self contains 58 minutes of modern technical/progressive death metal. The promo blurb says that it’s recommended for fans of Rivers of Nihil, Fallujah, Black Crown Initiate, Virvum, and Alustrium, which should let you know the sort of waters that Burial in the Sky wade in. Continue reading “Burial in the Sky – The Consumed Self (Review)”
This is the seventh album form US progressive metallers Leviathan.
Having enjoyed 2014’s Beholden to Nothing, Braver Since Then and 2018’s Can’t Be Seen by Looking: Blurring the Lines, Clouding the Truth, I was looking forward to this. Now that it’s here, Words Waging War provides 68 minutes of progressive metal that’s well-written and well-performed. Continue reading “Leviathan – Words Waging War (Review)”
Wonderbox Metal 