Across a mere 25 minutes Burial Remains tear out Swedish-styled old-school death metal like it never went out of fashion. Hell, as far as I’m concerned, it never did. Continue reading
It’s once more time to gather in Leeds for this year’s Damnation Festival. With another amazing lineup, this is a festival that’s a definite milestone in the yearly metal calendar.
Inert play old-school/Swedish death metal, taking influence from the likes of Dismember, Grave, Bloodbath and Entombed.
Dark growls sound as if something monolithic is being dragged through the earth. The singer Continue reading
This may be from the UK, but it has SWEDISH DEATH METAL stamped all over it in giant, ugly letters. It’s raw, filthy and has enough chainsaws to keep any fan of the style happy.
Yes, yes, I know; do we really need another band playing this kind of thing? Well, as I sit here listening to it at the moment, I can only conclude that we do, as they’re currently Continue reading
Gaped play powerful-sounding Death Metal with lots of emphasis on the heaviness of the guitars and the quality of the riffs.
Mixed in amongst the brutality are snippets of melody and added flourishes, as well as some effective lead work and solos.
There is a fair degree of versatility in the sound, from Six Feet Under-style groove to Bloodbath-style melody to Avulsed-style blasting. In fact, a mix of Bloodbath and Six Feet Under with a hint of Avulsed – probably a good description for how Gaped come across.
The vocals are deep and menacing, but understandable. They chomp and chew their way through the chunky guitars and compete with them for the highest impact.
They end the EP with a cover of Stripped, Raped and Strangled by Cannibal Corpse. It’s very good.
This album is a lesson in focused, structured and planned Death Metal murder. There’s only 23 minutes of music on this album, 20 if you discount the cover; however this is a great release for the discerning Death Metal fan and one can only wait for an album now. Great stuff.