Brought to us by the artist behind Fuath, (and also an ex-member of Falloch), Saor’s music is well-regarded, although this is my first encounter with it. My loss, it seems, as Origins offers up a very compelling 41 minutes of atmospheric black metal. Continue reading “Saor – Origins (Review)”
I have enjoyed watching Chiral’s development over the course of his releases that he’s put out so far. From the primitive Proto-Death/Black Metal of Winter Eternal, to the frozen Blackened landscape of Abisso, to the more ambitious Atmospheric Black Metal of his splits with Haate and Nebel Über Den Urnenfeldern/Eternal Sleep…the brain behind Chiral as consistently impressed with both the quality of his music and his progression within it.
So what of this latest release then? Showing that he doesn’t sit still, Night Sky continues the previously developed themes of Atmospheric Black Metal, only this time adding a Post-Black Metal element to the music, resulting in an album that favours mood and texture over all else.
The songs are long and ambitious tracks that show a love of both Black Metal and a more naturalistic sound that is quite atavistic in its realisation. Folk melodies and influences would be an appropriate description, although it feels somehow older than this.
Acoustic passages, Folk instrumentation and Progressive Metal tendencies work together with the icy, Blackened core to create Atmospheric Post-Black Metal that takes in many influences over the 58 minutes of material and ably demonstrates the talent and skill of Chiral.
These songs are slow-builders; ramping up the atmosphere and emotional content over the span of the playing time and layering just enough keyboards and extra instrumentation on top to really provide a consistent sense of space, flavour and feeling.
So there you have it. Another quality Chiral release, his best work yet I’d say.
Fans of Atmospheric Black Metal take note.
This is the kind of album you’d listen to when trying to relax at the end of a hard day, or when you want something light and non-invasive to tinkle away in the background.
Falloch specialise in nature-inspired songs that take the slow route and utilise the build/release nature of Post-Rock to carve out their ethereal sounds.
This Island, Our Funeral is somewhat of a mix of bands such as Agalloch, Anathema and Blueneck only with more of a Post-Rock style and an elemental, windswept feel.
Guitar melodies and leads conjure images akin to the album cover and the organic production has some steel to it despite the nature of the music.
The vocals are well-performed with layered harmonies and angelic tones. The singer’s voice is well judged and fits the music well; it shares the same Folk-edge that the music does and the vocal melodies seep out of the speakers like honey.
Falloch have crafted an album that attempts to forge an emotional connection with the listener and its success largely depends on how receptive the listener is to what they have to say. They clearly believe in what they’re doing and I think they’re definitely worth a listen or two. Have at it.