This is the second album from US death metallers Nothingness.
Featuring the drummer of Ghost Bath, Supraliminal contains 43 minutes of foul, riff-hungry death metal. The promo blurb states that this is for fans of Gorguts, Gojira, Morbid Angel, and Iniquity, and this should give you a good starting point for the band’s tar-thick heaviness. I’m a little late discovering this, but I’m sure glad that I did. Continue reading “Nothingness – Supraliminal (Review)”
This is the debut album from one-man French black metal act Limbes.
We’ve encountered the artist behind Limbes before, on his split with Mütterlein, and also when the project was named Blurr Thrower. Écluse contains 39 minutes of new material, and although the songs are still on the longer side, (especially the 15-minute closer), overall they’re shorter and more concise than we’re used to from this artist. Continue reading “Limbes – Écluse (Review)”
Oak are a Portuguese doom metal band and this is their second album.
2019’s Lone impressed me with its atmospheric misery, so I’m pleased to see the band return. Brought to us by current/ex-members of Gaerea, Disintegrate provides 45 minutes of atmospheric death/doom and funeral dirge intensity. Continue reading “Oak – Disintegrate (Review)”
This is the third album from Distant, a deathcore band from the Netherlands.
Tyrannotophia, Dusk of Anguish, and Dawn of Corruption – all thoroughly crushing examples of modern downtempo deathcore brutality. How could I not want to check out Distant’s newest? At 47 minutes in duration it’s on the longer side for something like this, but in this case the quantity is backed up by the quality. Continue reading “Distant – Heritage (Review)”
This is the second album from US black metal act Häxanu.
Featuring a current/ex-member of bands such as Chaos Moon, Krieg, Ringarë, Skáphe, and Manetheren, Totenpass contains 45 minutes of sleek melodic black metal with plenty of experience. Continue reading “Häxanu – Totenpass (Review)”
Bosco Sacro are an Italian doom band and this is their debut album.
Inspired by the awe of the natural world, Gem is a 32-minute journey into textured darkness and emotive sound. Continue reading “Bosco Sacro – Gem (Review)”
Veilcaste are a doom metal band from the US, and this is either their third album, (or first, depending on your perspective – they released two albums under the name Conjurer, before changing to Veilcaste).
After Veilcaste’s Split with Tusk from last year, I’ve been interested to hear more from this band. With that in mind it’s time for Precipice, which contains 41 minutes of material, including one of the songs from the aforementioned split, (Dust & Bone). Continue reading “Veilcaste – Precipice (Review)”
Fvnerals are a German doom band and this is their third album.
Bringing together doom, shoegaze, and dark ambient into a 40-minute cataclysmic declaration, Let the Earth Be Silent is the end times given aural form. Continue reading “Fvnerals – Let the Earth Be Silent (Review)”
This is the third album from Scáth na Déithe, an Irish black/death metal band.
Having enjoyed 2020’s The Dirge of Endless Mourning, I have been looking forward to what Virulent Providence has to offer. It has not disappointed. Continue reading “Scáth na Déithe – Virulent Providence (Review)”
Endorphins Lost are from the US and play grindcore. This is their third album.
I enjoyed Endorphins Lost’s 2018 split with Osk, and I enjoyed their 2019 album Seclusions. Their successful run continues, as now, I also enjoy Night People too. 14 tracks, 20 minutes; Night People is succinct and to the point, yet doesn’t lack in finesse or depth. Continue reading “Endorphins Lost – Night People (Review)”
Wonderbox Metal 