This is the fifth album from Moonreich, a French black metal band.
Moonreich’s aggressive brand of modern black metal is always good to hear. Following on from 2018’s Fugue and 2019’s Wormgod, Amer contains 43 minutes of new material from this enjoyable band. Continue reading “Moonreich – Amer (Review)”
This is the tenth album from French one-man black metal band Esoctrilihum.
Astraal Constellations of the Majickal Zodiac is a monster of a release. It’s actually three albums in one, essentially, with a total of 130 minutes of material spread across all three. It’s always interesting and enjoyable to catch up with this artist’s work, (for example Continue reading “Esoctrilihum – Astraal Constellations of the Majickal Zodiac (Review)”
This is the debut EP from international black metal act Blvgth.
Across 19 minutes Blvgth showcase their dark talents, and showcase them very well they certainly do. Continue reading “Blvgth – From Behind the Frosted Sun (Review)”
Hexenschorf is a one-man black metal band from the US, and this is his debut album.
The artist behind Hexenshorf plays black metal in the classic second wave style. Certain Rapture provides us with 28 minutes of raw hostility. Continue reading “Hexenschorf – Certain Rapture (Review)”
This is the second album from Indonesian post-black metal band Numeron.
Road to Valhalla is a 43-minute exploration of atmospheric black metal and blackgaze, delivered in a post-black metal package that’s passionately performed. Numeron have produced a well-crafted slice of expressive darkness. Continue reading “Numeron – Road to Valhalla (Review)”
This is the second album from Dawn of Ouroboros, a progressive black/death metal band from the US.
Following on from 2020’s well-received The Art of Morphology, Velvet Incandescence brings us 46 minutes of new material from Dawn of Ouroboros, who feature members of Botanist and Cailleach Calling. Continue reading “Dawn of Ouroboros – Velvet Incandescence (Review)”
This is the sixth album from avant-garde black metal band Dødheimsgard.
Black Medium Current contains 70 minutes of material, which is, I confess, a rather bland way of introducing such a superlative record. It’s hard to know where to start with an album like this though, as there’s just so much to explore here, and it’s all so very high in quality. Continue reading “Dødheimsgard – Black Medium Current (Review)”
This is the debut album from Polish post-black metal band Cursebinder.
Featuring the vocalist of Dormant Ordeal, (and also ex-Moanaa), Cursebinder play black metal that contains elements of doom, blackgaze, post-rock, and progressive metal. Continue reading “Cursebinder – Drifting (Review)”
This is the second album from Ὁπλίτης (otherwise known as Hoplites), a one-man post-black metal band from China.
Well this is unexpected. Having only unleashed the stunning Ψευδομένη on an unsuspecting world in January, we now get the equally unexpected Τρωθησομένη – 38 minutes of tasty new material from the very talented, (and apparently very prolific), artist behind Ὁπλίτης, (as well as Vitriolic Sage). Continue reading “Ὁπλίτης (Hoplites) – Τρωθησομένη (Review)”
Lust Hag is a one-woman black metal band from the US, and this is her latest EP.
Mistress in the Mirror contains 21 minutes of raw black metal spread out over seven tracks. You may not have heard of Lust Hag before – I hadn’t – but this is a release that should by all rights make people take notice of this very enjoyable band. Continue reading “Lust Hag – Mistress in the Mirror (Review)”
Wonderbox Metal 