Myrkvid are a French black metal band and this is their latest EP.
Myrkvid play classic, second-wave black metal with a rolling, grooving fury and energetic blasphemy. Continue reading “Myrkvid – Demons Are Inside (Review)”
Myrkvid are a French black metal band and this is their latest EP.
Myrkvid play classic, second-wave black metal with a rolling, grooving fury and energetic blasphemy. Continue reading “Myrkvid – Demons Are Inside (Review)”
This is the third album from Australian black metallers Mesarthim.
2016’s .- -… … . -. -.-. . was an album I really enjoyed, so this new full-length is very gratefully received. The Density Parameter, however, is something else entirely. Continue reading “Mesarthim – The Density Parameter (Review)”
Runespell is a one man black metal band from Australia, and this is his second album.
I enjoyed 2017’s Unhallowed Blood Oath, which gave us seven tracks of utterly authentic 90s second wave black metal. Well, it’s now 2018, and we have yet another seven tracks to consume. Continue reading “Runespell – Order of Vengeance (Review)”
Immortal are a Norwegian black metal band and this is their ninth album.
Immortal are pretty legendary by now, and as this album is their first since 2009’s All Shall Fall, it has a lot of expectations riding on it. Continue reading “Immortal – Northern Chaos Gods (Review)”
With the End in Mind is a one man black metal band from the US. This is his debut album.
Here we have 55 minutes of expressive, expansive Cascadian atmospheric black metal. Well, this is something quite special. First seeing the light of day in 2016, it’s now getting a new lease of life via Temple of Torturous Records. Continue reading “With the End in Mind – Unraveling; Arising (Review)”
Gutter Instinct just keep getting better and better. There, I said it. From the rumbling Swedish death metal monstrosity of The Insurrection, to the blackened death metal of Age of the Fanatics, and now the band’s latest grim opus Heirs of Sisyphus, Gutter Instinct are like an unstoppable juggernaut of carnage and mayhem.
Heirs of Sisyphus sees the band travel even further down the blackened path, while still retaining their core brutality. It’s a real ugly joy to listen to, and lets the listener completely wallow in aggression and darkness for an immersive 46 minutes of total morbid atmosphere and guttural destruction.
Rhythm guitarist Hannes Hellman talked to us about his band, how the new album came to be, and what lies ahead for Gutter instinct… Continue reading “Interview with Gutter Instinct”
Doomed is a one man death/doom metal band from Germany, and this is his sixth album.
I have to say I’m a huge fan of Doomed. Our Ruin Silhouettes, Wrath Monolith, and Anna are all stunning examples of how to write and play death/doom; in my experience it’s all too easy for death/doom bands to fall back on the staples of the style and take the easy route when it comes to their music. The artist behind Doomed, however, has a knack for producing music that takes all of the strengths of the style, while avoiding all of its lazy weaknesses, resulting in music that truly adds things that you just don’t really hear other bands do. Continue reading “Doomed – 6 Anti-Odes to Life (Review)”
Witchkiss are a doom/sludge band from the US and this is their debut album.
Here we have a very compelling 42 minutes of heavy doom metal. Mixing in elements of sludge and post-metal, the songs thunder their way through the playing time with a mixture of brute-force intensity and intricate nuance, although the latter is frequently more prevalent than the former. Continue reading “Witchkiss – The Austere Curtains of Our Eyes (Review)”
Sissy Spacek are a grindcore band from the US and this is, apparently, their 30th album(!).
Holy crap this is intense. 39 tracks in a scant 15 minutes? Blood Hell. Continue reading “Sissy Spacek – Ways of Confusion (Review)”
Horrorgraphy are a symphonic doom metal band from Greece and this is their debut album.
Here’s a rather unusual release, (for 2018 at least), both in form and consistency; the band is made up of three vocalists and one multi-instrumentalist, while the music is layered old-school doom metal, with a firm symphonic side and rich melodies. Continue reading “Horrorgraphy – Season of Grief (Review)”