This is the debut album from Varde, a Norwegian black metal band.
Fedraminne contains 59 minutes of black metal that mixes folk influences into an atmospheric journey. Continue reading “Varde – Fedraminne (Review)”
This is the debut album from Varde, a Norwegian black metal band.
Fedraminne contains 59 minutes of black metal that mixes folk influences into an atmospheric journey. Continue reading “Varde – Fedraminne (Review)”
This is the seventh album form US progressive metallers Leviathan.
Having enjoyed 2014’s Beholden to Nothing, Braver Since Then and 2018’s Can’t Be Seen by Looking: Blurring the Lines, Clouding the Truth, I was looking forward to this. Now that it’s here, Words Waging War provides 68 minutes of progressive metal that’s well-written and well-performed. Continue reading “Leviathan – Words Waging War (Review)”
This is the third album from German death metallers Slaughterday.
Slaughterday are reliable and enjoyable. Drop into any of their discography at almost any point, (Nightmare Vortex, Ravenous, Laws of the Occult, Abattoir), and you’ll find timeless death metal, with an authentic, honest, merciless Continue reading “Slaughterday – Ancient Death Triumph (Review)”
This is the debut album from Bethmoora, a doom/sludge band from Denmark.
It’s good to hear such a malignant slab of filthy doom-fuelled hateful sludge like this now and again. It strips away pretentions and allows you to get a good long hard look at the muck and grime. Continue reading “Bethmoora – Thresholds (Review)”
Farer are a doom band from the Netherlands and this is their debut album.
Monad is a harrowing and uncomfortable 53 minutes that’s made up of components from doom, noise, drone, sludge, and post-metal. The bass is used prominently and well, as you’d expect from a band with two bass Continue reading “Farer – Monad (Review)”
Lie in Ruins are a Finnish death metal band and this is their third album.
Six years on from 2014’s monstrous Toward Divine Death, we get follow up Floating in Timeless Streams. Clocking in at a lean 42 minutes, (compared to its predecessor’s 72), this is a more concentrated and focused slab of brutality and aggression. Continue reading “Lie in Ruins – Floating in Timeless Streams (Review)”
Subterraen are a French sludge/doom band and this is their debut album.
When the promo blurb states that Rotten Human Kingdom is for fans of bands like Eremit, Jupiterian, Lurk, Eyehategod, Neurosis, 71TONMAN, Conan, and Primitive Man, you know you have to check it out. You won’t be disappointed, either. Far from it, in fact. Continue reading “Subterraen – Rotten Human Kingdom (Review)”
This is the second album from Decaying Days, a German death/doom metal band.
Adopting an approach that combines melodic death metal with melodic doom, the emphasis here is on melody and emotive delivery. Imagine a mix of Dark Tranquillity, Insomnium, and Opeth, and you’ll be on the right lines. Continue reading “Decaying Days – The Unknown Beyond (Review)”
Contrarian are a progressive/technical death metal band from the US and this is their fourth album.
I wasn’t expecting a follow up to last year’s Their Worm Never Dies so soon, but I’m not complaining. Along with 2015’s Polemic and 2017’s To Perceive Is to Suffer, I’ve really enjoyed all of Contrarian’s material so far. Continue reading “Contrarian – Only Time Will Tell (Review)”
Souskinner are a Greek death metal band and this is their fifth album.
Soulskinner are back! A band I really enjoy, (check out Crypts of Ancient Wisdom, Descent to Abaddon, and their split with Obsecration, Abyssus, and Malicious Silence), they have now returned with a new platter boasting 47 minutes of death metal and a brand new singer. Continue reading “Soulskinner – Seven Bowls of Wrath (Review)”