Fossilization are a Brazilian death metal band and this is their debut album.
Since first encountering Fossilization’s doomed death metal on their split with Ritual Necromancy, I have been looking forward to hearing more from the band. Now their debut Leprous Daylight is here; 37 minutes of foul death metal malevolence delivered to the unsuspecting masses. Continue reading “Fossilization – Leprous Daylight (Review)”
This is the third album from Morbid Evils, a Finnish doom band.
Featuring a member of Rotten Sound, Supernaturals contains four tracks, with a total duration of 40 minutes. The promo blurb mentions bands like Primitive Man, Jupiterian, 71TONMAN, Thou, Conan, Grief, and Warcrab, and this certainly sets the scene for the output of Morbid Evils quite well. Continue reading “Morbid Evils – Supernaturals (Review)”
This split is between Ritual Necromancy from the US and Fossilization from Brazil. Both are death metal acts with doom influences.
Ritual Necromancy, (featuring a member of Decrepisy), open the split with a 15-minute track named Enter the Depths. Continue reading “Ritual Necromancy/Fossilization – Split (Review)”
Subterraen are a French sludge/doom band and this is their debut album.
When the promo blurb states that Rotten Human Kingdom is for fans of bands like Eremit, Jupiterian, Lurk, Eyehategod, Neurosis, 71TONMAN, Conan, and Primitive Man, you know you have to check it out. You won’t be disappointed, either. Far from it, in fact. Continue reading “Subterraen – Rotten Human Kingdom (Review)”
This is the third album from Jupiterian, a Brazilian atmospheric sludge band.
2017’s Terraforming was one of my favourite releases of 2017, so it’s great to have the band back. Protosapien gives us 36 minutes of characterful doom/sludge metal that sees Jupiterian once more producing the grimy Continue reading “Jupiterian – Protosapien (Review)”
This is the third album from Finnish sludge/doom band Lurk.
Now here’s an album that’s all about texture and atmosphere. Fringe is a cross between bands such as Neurosis, Inter Arma, Sea of Bones, and labelmates Jupiterian, to name but a few. However, on Fringe the band display their own dark personality, and are firmly convincing in their own right. Continue reading “Lurk – Fringe (Review)”
2017 was an amazing year for music, with so many top-notch albums seeing the light of day. I pretty much say this every year, of course, but that doesn’t seem to stop it being true. With this in mind, the 2017 list was especially hard to put together, and I agonised over this one more than I did for any of the lists in previous years.
As is traditional, I also want to mention some releases by bands that could easily have made it onto the list, and should have by many rights, if only I could have somehow managed to fit them all in –
Abhorrent Decimation, Amenra, Apes, Artificial Brain, Au-Dessus,
Celeste, Desecrate the Faith, Earth Rot, Earth Witch, Falls of Rauros,
Full of Hell, Gnaw, Gutslit, Helpless, Henry Kane,
Hundred Suns, Ingurgitating Oblivion, Into Orbit, John Frum, Karne,
Kval, Livid, Morbid Angel, Primitive Man, Craven Idol,
Slow, Soulskinner, The Kennedy Veil, Ulsect, Wildspeaker.
I urge you to check out all of the above releases, in addition to the ones in the actual list below. I could probably keep adding more bands you should give a listen to, but a line has to be drawn somewhere, I suppose.
So, without further ado, let’s get right down to it… Continue reading “Wonderbox Metal End of Year List – Best Metal of 2017”
This is the second album from Jupiterian, a Brazilian atmospheric doom/sludge band.
Offering a beguiling mixture of oppressive darkness and vivid resplendent beauty, Jupiterian weave their textured sound around a core of intensity that sees this album be as compelling as it is affecting. Continue reading “Jupiterian – Terraforming (Review)”
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