Brough to us by members of Corpsessed and Desolate Shrine, The Ashen Abhorrence contains 42 minutes of authentic second wave black metal. Worshipping at the altar of the 90s classics, Pestilent Hex combine elements of bands such as Emperor, Gehenna, Satyricon, Dimmu Borgir, and Arcturus, while injecting their own grim character, to produce an enjoyable slice of symphonic blackened art. Continue reading “Pestilent Hex – The Ashen Abhorrence (Review)”
Six years on from 2014’s monstrous Toward Divine Death, we get follow up Floating in Timeless Streams. Clocking in at a lean 42 minutes, (compared to its predecessor’s 72), this is a more concentrated and focused slab of brutality and aggression. Continue reading “Lie in Ruins – Floating in Timeless Streams (Review)”
I enjoyed 2018’s Scars Across; the band’s brand of atmospheric funeral death/doom was crushingly oppressive and filled with misery, just as you’d want something like this to be. Convocation have now returned with 45 minutes of Continue reading “Convocation – Ashes Coalesce (Review)”
Featuring members of Desolate Shrine and Dark Buddha Rising, this is dark and gloomy death/doom that boasts four colossal tracks lasting 50 minutes in total. Continue reading “Convocation – Scars Across (Review)”
Featuring members of Desolate Shrine, Lie in Ruins, Sargeist, and Corpsessed, this is the follow up to 2014’s enjoyable Aura of Suffering. Continue reading “Perdition Winds – Transcendent Emptiness (Review)”
This is not your standard Death Metal. Oh, all of the features and identifying marks of the genre are present and correct, but this is a more mature, expanded beast than the average.
Desolate Shrine specialise in dark, malevolent Death Metal that’s epic in scope. This is over an hour in length, with some tracks having well over ten minutes duration.
The band complement their Death Metal core with a few Black/Doom influences and overall The Heart of the Netherworld boasts evil atmospheres and gloomy auras.
The songs have a lot of meat to them and there is plenty of variety and interest to be had here. Slower, atmospheric parts, brutal riffs, lighter mood-building sections, rhythmic destruction; Desolate Shrine have it all.
Deep growls are accentuated with the occasional scream. The singer has a powerful voice that lends the songs an inhuman component and brings out their otherworldly side even more than the music already does.
The sound of the album matches the content; it’s strong and clear enough to do the band justice but murky and grim enough to bring out the sense of ritualistic nightmare that the band create.
Three albums into their career and Desolate Shrine have clearly mastered the art of writing involved songs that are wrapped in darkness. Think of a band like Ævangelist only with less of a pure-horror Black Metal viewpoint and more of a powerful Death Metal one.
This is a top quality album of horror Metal if ever there was one. Check out Desolate Shrine today and try not to soil yourself.