Temporal Capsule offers up 31 minutes of dissonant blackened death metal. The artist claims influence from acts such as Deathspell Omega, Aosoth, Ulcerate, Gorguts, Leviathan, Convulsing, and VI, and this is a good place to start when approaching this album. Continue reading “Embarla Firgasto – Temporal Capsule (Review)”
I first encountered Leviathan on 2014’s Beholden to Nothing, Braver Since Then. I enjoyed that record, so have made sure to catch up with the band every time they produce something new; 2018’s Can’t be Seen by Looking: Blurring the Lines, Clouding the Truth and Continue reading “Leviathan – Mischief of Malcontent (Review)”
Having enjoyed 2014’s Beholden to Nothing, Braver Since Then and 2018’s Can’t Be Seen by Looking: Blurring the Lines, Clouding the Truth, I was looking forward to this. Now that it’s here, Words Waging War provides 68 minutes of progressive metal that’s well-written and well-performed. Continue reading “Leviathan – Words Waging War (Review)”
The band’s 2014 album Beholden to Nothing, Braver Since Then was an album that I not only enjoyed when it came out, but is one that has definitely grown on me over time. The more I listen to it, the more I like it. Continue reading “Leviathan – Can’t Be Seen by Looking: Blurring the Lines, Clouding the Truth (Review)”
This split lasts 24 minutes, with each artist contributing a single track lasting 12 minutes exactly. Continue reading “Crawl/Leviathan – Split (Review)”
This is underground, occult, raw Black Metal that lays its cards on the table in the very first few seconds and blatantly announces, “this is who we are, this is what we do”.
And it’s bloody good, in an evil, malevolent way.
Although the band stick to the USBM template as laid down by the likes of Leviathan, there’s an impressive amount of depth to the songs on Reclusive Blasphemy. Each track takes you back to a pre-digital age where hearing bands even remotely like this took effort, commitment and contacts.
Back to the present though; One Master are definitely showcasing their dark talents on Reclusive Blasphemy. Will it be enough to propel them to the elite upper echelons of US Black Metal? If there is any justice, they’ll at least get a good shot at it as this album really is a bit of a corker.
Whether they blast it up or Doom it out, their proficiency never drops and the songs hit their marks. The aura of Blackened wrath is omnipresent and the band work their grim wonders across all 36 minutes with the ease of the naturally gifted.
Blackened melodies and forlorn emotions combine with furious rage to create hymns to lost gods and jealous daemons. These songs have a ritualistic edge that’s hypnotic in its delivery and frightening in its danger.
Reclusive Blasphemy hopefully will not stay reclusive. This needs to be heard.
Extremely highly recommended.
Created by two people; one from a Thrash Metal background and one from a Technical Death Metal background. From these unlikely roots an album has grown which is surprising in that it is both the epitome of what is meant to be but also pleasingly fresh and full of morbid life.
Wrong play creepy, fragile, melancholic Black Metal with a depressive/nihilistic edge akin to some of the work by Xasthur and Leviathan only not quite as minimalistic and with more of a Paradise Lost/Katatonia/etc. influence to some of the Doomier riffs; think Forgotten Tomb for some of the parts in fact.
The songs are long compositions and have many different facets to their delivery, from fast and sharp to slow and misery-laden. It’s an approach that serves them well.
The sound is suitably fuzzy and Blackened but it has a solid backbone of precise, focused drumming that grounds the band no matter what they’re playing.
Wrong take you on a Blackened nihilistic journey through the underworld, tastefully underscored by some subtle riffing and even subtler effects that hide underneath the torrent of darkness and the pounding drums.
Pessimistic Outcomes takes me back to prime-time 00’s underground Black Metal and all the associated feelings it has for me. This is a great album full of bleak melodics and nuanced moments propelled forwards by some powerful drumming, expressive riffing and scathing, slicing vocal emanations.
If you only have a choice of one album full of emotive Black Metal this month then make it Wrong.
This is an ambitious release; 76 minutes of Metal, broken down into multiple interludes and the actual songs themselves.
Leviathan have a strong, full sound from the outset. The band are skilled musicians and make good use of all of the instruments available to them, while the production ensures that everything sounds clear and crisp.
The singer has a good voice that is not quite full on Power Metal but neither is it unrestrained. He can belt out the powerful notes when he needs to.
The songs are involved and have plenty of instrumentation, which may be slightly ostentatious but not gratuitously so; there’s a lot of technical flashiness but the ultimate aim is always to enhance rather than just for the sake of showing off.
Check out Leviathan and give them a try.