This is the second album from US funeral doom band Chalice of Suffering.
2016’s For You I Die was an album I enjoyed, so it’s very agreeable to have a new slab of torment from the band. And what a considerable slab of torment and suffering it is too. Continue reading “Chalice of Suffering – Lost Eternally (Review)”
Dead to a Dying World are a blackened doom band from the US and this is their third album.
2015’s Litany was a sprawling, ambitious album. It was also very good, although this new release is something quite new and special in some ways. The band have returned with the even more expansive and developed Elegy. Showing greater focus of delivery, (49 minutes vs Litany’s 73), Elegy is also wider ranging and boasts Continue reading “Dead to a Dying World – Elegy (Review)”
This is the fourth album from Swedish black metallers Mephorash.
Even after enjoying 2015’s 1557 – Rites of Nullification and getting a taste of the band’s new material on last year’s The Third Woe, I still wasn’t really prepared for this. Shem Ha Mephorash might surprise you by just how good it is, as it did me. Mephorash may not be a well-worn Continue reading “Mephorash – Shem Ha Mephorash (Review)”
This is the debut album from Tripsitter, a post-hardcore band from Austria.
The promo blurb describes this as a mix of black metal, shoegaze, and hardcore, and this description sets the scene nicely for the 44 minutes of music you’ll find on The Other Side of Sadness. Continue reading “Tripsitter – The Other Side of Sadness (Review)”
This is the latest album from US stoner metal band Druids.
After enjoying 2016’s Cycles of Mobeum and 2017’s Spirit Compass, I’m glad to be able to catch up with Druids once more. Continue reading “Druids – Monument (Review)”
This is the second album from Spanish doom/heavy metallers Totengott.
This immense album is a hard one to describe with genre tags. It’s a mix of doom and thrash/heavy metal, but with elements of black, death, and progressive metal added in too, (as well as forays into dark ambient waters). The promo blurb mentions Continue reading “Totengott – The Abyss (Review)”
This is the fifth album from US death metallers Allegaeon.
This is the eagerly awaited follow up to 2016’s Proponent for Sentience, and what a follow up it is. Apoptosis ramps up the band’s impact to maximum and delivers an extremely impressive record. Continue reading “Allegaeon – Apoptosis (Review)”
This is the debut album from Aethyrick, a Finnish black metal band.
Praxis features 39 minutes of occult black metal, and I have to say this is quite a captivating underground gem of an album. Continue reading “Aethyrick – Praxis (Review)”
Tonight’s sold out show offers up a double hit of extremity, with the sheer brutality of Ingested and the hooked melodic aggression of The Black Dahlia Murder. Continue reading “The Black Dahlia Murder/Ingested – Rebellion, Manchester – 10/04/19 (Live Review)”
Theories are a US deathgrind band and this is their second album.
Theories play an intense and punishing blend of death metal and grindcore. Continue reading “Theories – Vessel (Review)”
Wonderbox Metal 