Herod are a progressive/post-metal band from Switzerland and this is their third album.
The Iconoclast is the follow up to 2019’s Sombre Dessein and contains 51 minutes of new material. Continue reading “Herod – The Iconoclast (Review)”
Herod are a progressive/post-metal band from Switzerland and this is their third album.
The Iconoclast is the follow up to 2019’s Sombre Dessein and contains 51 minutes of new material. Continue reading “Herod – The Iconoclast (Review)”
This is the debut album from French progressive metal band Ahasver.
Ahasver is made up of members of bands such as Eryn Non Dae, Drawers, and Gorod, among others. Causa Sui contains 42 minutes of music that’s a good deal more individual than most you might encounter. Continue reading “Ahasver – Causa Sui (Review)”
Opium Lord and Under are both sludge metal bands from the UK and this is a split release from them.
Opium Lord, (who feature an ex-member of Sealclubber), deliver one song – Sherpa – lasting almost 6 minutes. Continue reading “Opium Lord/Under – Split (Review)”
Cave In are a US post-hardcore/rock band and this is their seventh album.
Following on from 2019’s Final Transmission, Heavy Pendulum is somewhat of a different beast to their last album. Whereas Final Transmission was short, (31 minutes), fragile, and emotive, reflective of the effects of tragedy and loss, Heavy Pendulum is long, (71 minutes), has greater range, (though still emotive), and more reflective of the band’s varied discography as a whole. Continue reading “Cave In – Heavy Pendulum (Review)”
This is the third album from US industrial metal band Return to Earth.
Industrial metal is a rather nebulous and potentially misleading genre tag when applied to Return to Earth. Oblivion is a very diverse and idiosyncratic record, with elements of metal, post-hardcore, industrial, progressive rock, and electronica all present in the music. This Continue reading “Return to Earth – Oblivion (Review)”
This is the latest EP from UK metal act Heriot.
Heriot play an interesting and diverse style of music that combines metallic sludge heaviness with hardcore fury and industrial harshness. Heriot don’t really sound like any one band, and it’s great to hear music like this that isn’t concerned with genre boundaries. Continue reading “Heriot – Profound Morality (Review)”
This is the third album from Greyhaven, a hardcore band from the US.
Greyhaven play a form of modern post-hardcore that takes influence from a range of places. On the one hand they clearly follow the Every Time I Die template of hardcore, with raucous heaviness mixed with emotive cleanly-sung sections. On the other hand though, they also follow a sort of progressive post-hardcore Continue reading “Greyhaven – This Bright and Beautiful World (Review)”
This is the second album from Vein.fm, a metal band from the US.
Vein.fm are clearly a band with a lot of influences, and across the 32 minutes of material on This World Is Going to Ruin You, they wield these influences like weapons. Flourishing elements of hardcore, mathcore, metalcore, industrial, and nu-metal into a Continue reading “Vein.fm – This World Is Going to Ruin You (Review)”
This is the fifth album from US grindcore band Full of Hell.
Full of Hell have always impressed. Both 2017’s Trumpeting Ecstasy and 2019’s Weeping Choir did exactly that, and now they have returned with 21 minutes of new material. So, what dark delights does Garden of Burning Apparitions bring us? Continue reading “Full of Hell – Garden of Burning Apparitions (Review)”
Kehlvin are a progressive hardcore band from Switzerland and this is their third album.
Holistic Dreams contains 35 minutes of material. Kehlvin’s style is a progressive form of hardcore that also has post-hardcore and sludge metal flavours in it. For lack of a better description, imagine a mix of Knut, The Dillinger Escape Plan, and Mastodon, and that will give you a rough starting point for Kehlvin’s sound. Continue reading “Kehlvin – Holistic Dreams (Review)”