Thecodontion are a black metal band from Italy and this is their second release.
Thecodontion first appeared on my metallic radar with their self-titled debut demo at the start of 2018. It immediately blew me away. I had to find out more. Feral and ugly, consisting of prehistoric-themes and guitar-less bass-driven, mayhem, it was a real shot of belligerent adrenaline. Continue reading “Thecodontion – Jurassic (Review)”
This is the debut album from Akasha, a one man US black metal band.
Are you ready for your hit of vampiric, underground black metal? If so, then Canticles of the Sepulchral Deity is a release that you should definitely take the time to explore. Continue reading “Akasha – Canticles of the Sepulchral Deity (Review)”
This is the fourth album from US crossover punk/thrashers Oozing Wound.
On High Anxiety Oozing Wound fuse thrash and punk with some occasional elements of sludge and noise rock into 34 minutes of mayhem and infectious guitars. Continue reading “Oozing Wound – High Anxiety (Review)”
Refusal are a Finnish death metal band and this is their second album.
Here we have 32 minutes of old-school death metal mixed with elements of grind and hardcore. It’s nasty, savage, and packs a mean punch. Entombed and Napalm Death are your reference points here, along with bands like Rotten Sound, Crawl, and Lik. Continue reading “Refusal – Epitome of Void (Review)”
Cripple Bastards are an Italian grindcore band and this is their seventh album.
2014’s Nero in Metastasi was not only a top quality grindcore release, but one that I’ve frequently returned to over the years. Continue reading “Cripple Bastards – La Fine Cresce da Dentro (Review)”
Minors are a hardcore/sludge band from Canada. This is their second album.
It only seems like yesterday that 2017’s Atrophy was unleashed on an unsuspecting world, providing those in the know with a visceral, harsh hit of aggressive hardcore/sludge that left a firm mark. Well, Minors are now back with another 30 minutes of material that sees them in fine form once more. Continue reading “Minors – Abject Bodies (Review)”
Endorphins Lost are from the US and play grindcore. This is their second album.
My first encounter with Endorphins Lost was on their split with Osk, and I enjoyed their brief, violent take on crust/hardcore-infused grind. Their songs on that split only lasted four minutes, so it’s great to be able to find out what the band can do with 21 minutes of material. Continue reading “Endorphins Lost – Seclusions (Review)”
Gnarwolf are a US hardcore band and this is their latest EP, a split with Covina.
I enjoyed 2017’s II, so am pleased to hear some new work from Gnarwolf. We only have seven minutes of material here, divided into three songs, but it sure hits the spot. Continue reading “Gnarwolf – GnarVina – Split (Review)”
Endon are a Japanese experimental post-hardcore band and this is their third album.
Holy crap, what the Hell is this? I looove it when you stumble blindly upon something as unexpectedly individual as this, especially when it’s done so well. Done poorly, this would be unlistenable nonsense, (and I’m sure there are some that would regard this as such), but Endon have a talent, it seems, for producing unusual, non-easy Continue reading “Endon – Boy Meets Girl (Review)”
Enon Chapel are an American black metal band and this is their debut EP.
Featuring a member of Palace of Worms, this project takes influence from Victorian era London and specialises in raw, lo-fi black metal. Continue reading “Enon Chapel – Enon Chapel (Review)”
