Lots to choose from this month, so narrowing it down to just a handful of releases was not easy… Continue reading “Monthly Overview – the Best of March 2020”
Tag: Progressive metal
Dawn of Ouroboros – The Art of Morphology (Review)
This is the debut album from Dawn of Ouroboros, a progressive black metal band from the US.
Combining elements of death, black, and progressive metal, this is a enchanting mix of the three that adopts a modern extreme metal approach to its highly engaging material. Continue reading “Dawn of Ouroboros – The Art of Morphology (Review)”
Irist – Order of the Mind (Review)
Based in the US, Irist are a modern metal band and this is their debut album.
Irist’s recipe is one that takes a wide range of influences and works them into a comprehensive modern metal framework. Loosely stated, Irist take elements of hardcore, thrash metal, and progressive/post-hardcore/metal, and hone them into song-based packages of metallic heaviness. Continue reading “Irist – Order of the Mind (Review)”
Neck of the Woods – The Annex of Ire (Review)
Neck of the Woods are a progressive metal band from Canada and this is their second album.
The Annex of Ire contains 40 minutes of modern, hybrid progressive metal from the band that enjoyably produced 2015’s Neck of the Woods and 2017’s The Passenger. Continue reading “Neck of the Woods – The Annex of Ire (Review)”
Neorhythm – Terrastory (Review)
Neorhythm are a Russian metal band and this is their second album.
Here we have 45 minutes of progressive metal that takes elements of groove, technical, and death metal into its make-up. The band know how to handle the style, and Terrastory is effortless to digest and enjoy. Continue reading “Neorhythm – Terrastory (Review)”
Huntsmen – Mandala of Fear (Review)
Huntsmen are a US progressive metal band and this is their second album.
I really enjoyed 2018’s American Scrap, and it grew in my estimation over time too. At almost 80 minutes in duration this new album is almost double the length of the band’s first full length; Huntsmen are clearly not lacking in ambition. Driven by storytelling, Mandala of Fear takes the listener on a dystopian journey, one that has the musical ability to back up its concept. Continue reading “Huntsmen – Mandala of Fear (Review)”
Polaris – The Death of Me (Review)
Polaris are an Australian metalcore band and this is their second album.
The music on The Death of Me involves heavy aggression with melodic texture, and although it frequently combines the two, it also equally-frequently separates them. This results in an album that’s far more diverse than your average metalcore record, yet will probably mean that some people get Continue reading “Polaris – The Death of Me (Review)”
Sepultura – Quadra (Review)
Legendary Brazilian metal band Sepultura return with their fifteenth album.
In my humble opinion 2017’s Machine Messiah was the band’s best album since the iconic Roots, and it’s a release I’m still really enjoying now. With Quadra the band continue their upward ascent with another album of sterling quality, one that promises to have every bit of longevity that its predecessor had. Continue reading “Sepultura – Quadra (Review)”
Loathe – I Let It in and It Took Everything (Review)
This is the second album from UK modern metallers Loathe.
Loathe’s music is based on a modern, contemporary vision of heavy music, and then added to by a wider set of influences. The end result is a multifaceted, textured album that spends 49 minutes exploring diverse and impactful soundscapes with the listener. Continue reading “Loathe – I Let It in and It Took Everything (Review)”
Monthly Overview – the Best of January 2020
2020 beckons, and there’s new metal to be hungrily devoured. This January seems to have been better than the last one release-wise, with a wealth of good albums to choose from. I’ve picked seven below I’ve particularly enjoyed. Let’s see what you think of these… Continue reading “Monthly Overview – the Best of January 2020”
Wonderbox Metal 