Featuring a member of Dødheimsgard, and so many guests it’s quite remarkable, (mainly on vocals or keyboards, and from bands such as …And Oceans, Amiensus, Dødheimsgard, Finntroll, Nòtt, and Moonsorrow), a lot of talent and experience has gone into Timaeus. Continue reading “Khôra – Timaeus (Review)”
Essentially a one-man band fleshed out with guests acting as session musicians, Znoi is a little over half an hour of melodic/post-black metal that takes influence from the bright, modern approach to the style as championed Continue reading “Haze of Summer – Znoi (Review)”
This is their second album and Craving are really coming into their own. Combining brutality, melody and Folk harmonies the band have produced 66 minutes of music that transport the listener back in time and away from the hum drum pace of normal life.
There is a medieval vibe permeating the songs, although this is juxtaposed against the heavier more brutal Death Metal parts. Sort of like a more aggressive Amon Amarth mixed with Korpiklaani or Finntroll.
Each of the long songs is a combination of the aforementioned styles, and across the album we get a bit of everything; Melodic Death Metal, Folk Metal, some Black Metal riffs…it creates an enticing package and manages to stay interesting for the entire running length.
The songs are memorable and the band effortlessly play both brutal and melodic parts with abandon. The ease in which they can transition from heavy, blasting sections into melodic, atmospheric moods is a pleasure to behold.
The vocals are mainly guttural Death Metal vocals, although on occasion Black Metal screams punctuate the blasting. On top of this there are also Folky cleans, some of which are rousing, heroic and quite epic in nature.
This is a Melodic Death Metal album that manages to embrace its Folk side without sacrificing its teeth, and for that reason alone is worthy of being listened to. Add to that the fact that it’s a very enjoyable album that stirs the Metal heart…well we have a keeper here.