Lamentations are a Singapore/US death metal band and this is their second album.
Featuring members of Tómarúm and Monotheist, Lamentations play progressive death metal, and Passion of Depression provides us with 57 minutes of exotic material to explore. Continue reading “Lamentations – Passion of Depression (Review)”
This is the debut album from Kassogtha, a death metal band from Switzerland.
rEvolve contains 62 minutes of modern death metal that’s shot through with progressive influences, melodic death metal streaks, and metalcore muscle. It is a engaging mix of modern metallic styles, resulting in an album that ranges from harsh brutality to soaring choruses, atmospheric heaviness, and emotive richness. Continue reading “Kassogtha – rEvolve (Review)”
This is the third album from Canadian progressive metallers Osyron.
Osyron play a form of progressive metal that takes influence from both old and new. There are elements of classic power and heavy metal, alongside newer, heavier, modern metal influences, Continue reading “Osyron – Momentous (Review)”
This is the fourth album from US blackened deathcore band Lorna Shore.
Pain Remains offers a well-crafted 61 minutes of modern professional deathcore. Ambitious in scope, but superlative in execution, Pain Remains is epic, brutal, and atmospheric, probably about in equal measure. Continue reading “Lorna Shore – Pain Remains (Review)”
This is the twelfth album from Soilwork, a veteran Swedish metal band.
After really enjoying 2019’s Verkligheten, it’s a pleasure to hear some new Soilwork material. Övergivenheten continues with the ever-satisfying Soilwork sound, yet evolves it at the same time. Rich melodies, soaring choruses, and strong songwriting lurk around every corner, as they always do, but on this occasion the focus is slightly different. Continue reading “Soilwork – Övergivenheten (Review)”
This is the third album from US death metallers Carrion Vael.
Carrion Vael play a modern form of death metal, and within this they combine the technical and melodic styles into a 39-minute juggernaut of an album. Continue reading “Carrion Vael – Abhorrent Obsessions (Review)”
This is the eleventh album from Swedish melodic death metallers Arch Enemy.
I enjoyed 2017’s Will to Power, and it grew on me further over time, so I’ve been quite looking forward to Deceivers arriving. Now that we have the album’s 45 minutes of new material, I’m quite happy with the results. Continue reading “Arch Enemy – Deceivers (Review)”
This is the debut album from Swedish melodic death metal band The Halo Effect.
The Halo Effect are a band that features ex-members of In Flames along with the singer of Dark Tranquillity, (who was also in In Flames very early on), there’s a lot expectations riding on Days of the Lost in certain quarters, (including this one). Continue reading “The Halo Effect – Days of the Lost (Review)”
Psycroptic are an Australian technical death metal band and this is their eighth album.
Following on from 2018’s As the Kingdom Drowns, Divine Council is a very accomplished record. Psycroptic have a sound pretty much all of their own, and on their latest release the band have executed their vision with passion and professional expertise. Continue reading “Psycroptic – Divine Council (Review)”
Amon Amarth are a melodic death metal band from Sweden and this is their twelfth album.
Following on from 2019’s Berserker, the mighty Viking warriors of Amon Amarth have returned, with 43 minutes of new material. Amon Amarth are one of the most consistently entertaining and impressive bands in metal, and on their new record they’re firing on all cylinders. Continue reading “Amon Amarth – The Great Heathen Army (Review)”
Wonderbox Metal 