Coilguns are a hardcore band from Switzerland and this is their third album.
It doesn’t seem that long ago since 2018’s Millennials burst onto the scene, and I suppose it wasn’t, really. However, already Coilguns, (boasting ex-members of The Ocean) are back with a new 41 minutes of unusual hardcore punk, (as well as some rather striking album art). Continue reading “Coilguns – Watchwinders (Review)”
This is the debut album from Geist, a hardcore band from the UK.
Mixing dark hardcore, metal, and crust, this is 26 minutes of near-lightless harshness. Continue reading “Geist – Swarming Season (Review)”
This is the debut album from US metallers Ghastly Sound.
Having really enjoyed both Ghastly Sound and The Bottom, I’ve been looking forward to Have a Nice Day. It has not disappointed, quite the opposite in fact. Continue reading “Ghastly Sound – Have a Nice Day (Review)”
This is the fourth album from Cloud Rat, a grindcore band from the US.
In my humble opinion Cloud Rat are one of the most forward-thinking, talented, and innovative grindcore bands out there, although simply labelling them grindcore is misleading and constricting, as their work frequently features so much more than your standard grindcore fare. Releases such as Qliphoth, and their various splits demonstrate this amply. Continue reading “Cloud Rat – Pollinator/Do Not Let Me Off the Cliff (Review)”
This is the debut album from Shock Narcotic, a grindcore band from the US.
Featuring current and ex-members of bands such as The Dillinger Escape Plan, Child Bite, and The Black Dahlia Murder, this is 19 minutes of nasty grindcore mixed with elements of chaotic hardcore and jagged metal. Continue reading “Shock Narcotic – I Have Seen the Future and It Doesn’t Work (Review)”
Throes are a sludge metal band from the US and this is their debut album.
Throes don’t mess around. The band mix together hardcore, sludge metal, and post-metal to create abrasive, harsh music that sounds like the aural equivalent of sandpapering your skin. Continue reading “Throes – In the Hands of an Angry God (Review)”
Brain Bleed are a deathgrind band from the US and this is their debut album.
Savage, that’s the word. Or, at least one of them. Brain Bleed are savage. They’re also brutal, belligerent, harsh, and many other similar words. Essentially, they’re a nasty bunch, and Automated Eradication is 20 minutes of all kinds of ugliness. Continue reading “Brain Bleed – Automated Eradication (Review)”
Gravefields are an international death metal band and this is their second album.
Previously known as Dirtyprotest, this band have now benefited from both a change of name and a change of sound. Whereas the band’s debut album – Hellstorm – was essentially a Swedish death metal affair, Embrace the Void is a wider-ranging beast. Continue reading “Gravefields – Embrace the Void (Review)”
Gränslandet are a hardcore/sludge band from Sweden. This is their second album.
I liked 2016’s Solidium, so it’s good to have the band return to the fray with Denationalization. On their new record the band offer up 37 minutes of crusty hardcore mixed with doomy sludge. Continue reading “Gränslandet – Denationalization (Review)”
This is the debut album from Canadian death metallers Brand of Sacrifice.
At a lean 26 minutes, God Hand gets in, does its damage, and gets out again. One of the things I like about Brand of Sacrifce, however, is even though their songs tend to be short, the band aren’t afraid to play with the modern death metal formula. Continue reading “Brand of Sacrifice – God Hand (Review)”
Wonderbox Metal 