Throes don’t mess around. The band mix together hardcore, sludge metal, and post-metal to create abrasive, harsh music that sounds like the aural equivalent of sandpapering your skin. Continue reading
Here we have just over 12 minutes of ugly heaviness, just the we like it for this kind of sludge-driven hideousness. Continue reading
The UK seems to have such a knack for producing some of the angriest, filthiest, nastiest extreme music out there, and Razor Sharp Death Blizzard are a great addition to the wealth of talent that’s available from the country.
This is 36 minutes of hardcore punk and ugly sludge metal that recalls a good mix of Continue reading
Kalloused have a powerfully heavy sound that they still manage to insert nuance into when the need arises. This release features a plethora of textured riffs that manage to show a certain degree of subtlety and finesse even when they’re smashing your skull in.
The band have a black metal element Continue reading
Like The Dead, Tides of Sulfur combine death and sludge metal together into a hideous, swampy mass. Also like The Dead, it’s hard to know whether to categorise them as death metal or sludge metal. Essentially it doesn’t really matter, I suppose, as the band manage to provide a pretty good synthesis of the two on Extinction Curse.
This is heavy, heavy, heavy. Continue reading
After being away for far too long, the UK’s mighty Raging Speedhorn are finally back in action with the equally mighty Lost Ritual. John Loughlin, (one half of the ban’s vocal duo), brought me up to speed with everything going on in the Speedhorn camp…
Introduce us to Raging Speedhorn!
Raging Speedhorn are 6 guys playing music they love and having fun doing it. We sometimes enjoy a beer or 2 while doing this, we played shows and released albums between 1998 and 2008, had a 6 year break then started to play shows again in 2014, we’ve now recorded a new album and are ready get back out there and do it all again.
What are your influences?
We all listen to a lot of different music so it’s kinda hard to pin point influences but you can hear a lot of them in our music if you listen for it. Continue reading
After their ultimately very enjoyable, but quite different, fourth album Before the Sea Was Built, the band called it a day. After a self-resurrection, the mighty Raging Speedhorn have now returned with their latest release.
Questions abound – what will it sound like? What kind of style have they embraced? Well, the only thing to be done is to press play and find out… Continue reading
Allfather seem to have cornered the market on Punked-up Metallic discontent. They’re pissed off and have come to put the boot in, big style.
This is underground and raw; music that’s ready for a scrap and happy to get its hands dirty.
The songs on this short EP are tight balls of fury with guitars that fall halfway between murky Sludge Metal and Hardcore anger. Energetic and heavy riffs make up the bulk of this release and there’s no let up in the 11 minutes playing time.
Allfather do heavy very well, but they also write actual songs; these tracks have a good flow to them and are quite catchy and memorable. This is not heaviness just for the sake of it; this music is focused and directed so that the compositions have meaning and purpose.
An enjoyable and promising EP. The UK seems to excel at this kind of dirty, gritty Metal. More please.
A cross between elements of Crowbar, Gutworm, dBh, Raging Speedhorn, Labrat and the like.
This is a hard one to pin down in some ways. It has elements of the more modern Metal/Metalcore sound, but also more of an unhinged, underground vibe and some definite Death Metal/violent Hardcore leanings.
This is more of the kind of thing I would have expected to come out of the UK rather than Australia; I’m thinking of bands like Corrupt Moral Altar, Charger, Raging Speedhorn, Labrat, Mindjuice, Mistress, The Rotted, etc.
Nonetheless, Australia it is, and it’s a good listen. The songs are typically about the 3 minute mark and are focused into little balls of heavy rage. They’re well written and have a good amount of energy. Although the emphasis is on heaviness, small amounts of melody get a look in here and there.
This is a good synthesis of modern-styled Metal with a violent Hardcore element keeping it grounded. It’s underground, nasty and rumbles along with a good chug and a healthy groove.
The singer sounds quite demented on occasion; the higher pitched he gets the more he appears to lose it.
It’s easy to like these songs as the emphasis is on ripping the listener’s face off before they even know what’s happened.
Songs for the moshpit.