This is the sixth album from avant-garde black metal band Dødheimsgard.
Black Medium Current contains 70 minutes of material, which is, I confess, a rather bland way of introducing such a superlative record. It’s hard to know where to start with an album like this though, as there’s just so much to explore here, and it’s all so very high in quality. Continue reading “Dødheimsgard – Black Medium Current (Review)”
This is the second album from Ὁπλίτης (otherwise known as Hoplites), a one-man post-black metal band from China.
Well this is unexpected. Having only unleashed the stunning Ψευδομένη on an unsuspecting world in January, we now get the equally unexpected Τρωθησομένη – 38 minutes of tasty new material from the very talented, (and apparently very prolific), artist behind Ὁπλίτης, (as well as Vitriolic Sage). Continue reading “Ὁπλίτης (Hoplites) – Τρωθησομένη (Review)”
Yskelgroth are a black metal band from Spain and this is their second album.
Featuring the vocalist from the mighty Avulsed, Bleeding of the Hideous is a 33-minute mix of black and death metal that’s ferocious and harsh, yet not without depth and substance. Continue reading “Yskelgroth – Bleeding of the Hideous (Review)”
Ignominy are from Canada and play death metal. This is their debut album.
Ignominy are not a standard death metal act, and Imminent Collapse is not your run-of-the-mill death metal album. Rooted in the dissonant style, theirs is an avant-garde expression of dissodeath that incorporates blackened textures, technical flourishes, chaotic intensity, and atmospheric proclivities. Continue reading “Ignominy – Imminent Collapse (Review)”
This is the second album from UK progressive metal band Sermon.
Of Golden Verse is a 49-minute tour de force of engaging progressive metal. Sermon’s new album immediately grabs your attention with its vibrant, feeling-focused personality, and holds it throughout the running time by the sheer quality and richness of its material. Continue reading “Sermon – Of Golden Verse (Review)”
This is the fourth album from Indian one-man extreme metal band Demonstealer.
I enjoyed both 2016’s This Burden Is Mine and 2021’s The Holocene Termination, so it’s now time to catch up with the talented artist behind Demonstealer. This time he’s come with a large supporting cast, as he’s assembled an enviable amount of musicians to help him to achieve his metallic goals, (from Continue reading “Demonstealer – The Propaganda Machine (Review)”
Ov Sulfur are a blackened deathcore band from the US and this is their debut album.
The Burden ov Faith is a brutal slab of deathcore that takes a blackened and symphonic approach to its blasphemous heaviness. Ov Sulfur spend 44 minutes dealing out punishment of a form that’s surprisingly rich in delivery. Continue reading “Ov Sulfur – The Burden ov Faith (Review)”
Ne Obliviscaris are an Australian extreme progressive metal band and this is their fourth album.
It seems like such a long time ago that 2017’s Urn came out – and it was – so it’s great to now have Ne Obliviscaris back with Exul. Containing 52 minutes of new material, Exul may just be Ne Obliviscaris’ best album yet. Continue reading “Ne Obliviscaris – Exul (Review)”
This is the fourth album from polish post-black metallers Entropia.
Entropia are such a good band. I have thoroughly enjoyed their development through the years, (make sure you check out Vesper, Ufonaut, and Vacuum), and now on their latest release they demonstrate once again why they are just so damned good. Continue reading “Entropia – Total (Review)”
This is the debut album from Danish black/death metal band Heaven’s Damnation.
Featuring current and ex-members of bands such as Dysgnostic and Udånde, Heaven’s Damnation contains 28 minutes of ferocious blackened death metal. Continue reading “Heaven’s Damnation – Heaven’s Damnation (Review)”
Wonderbox Metal 