July was packed with strong releases. With some quality highly anticipated albums seeing the light of day in July, (Defeated Sanity, Gaerea, Imperial Triumphant), I decided to focus on some of my favourites from last month that were less likely to get loads of media coverage, (and it was a struggle to limit the selection to five). So, with that in mind, my highlights are below. What are yours? Continue reading “Monthly Overview – the Best of July 2020”
Tag: Doom
Sepulchral Curse – Only Ashes Remain (Review)
This is the debut album from Sepulchral Curse, a Finnish death metal band.
It seems an age since 2016’s At the Onset of Extinction, but we are now treated to some new material from Sepulchral Curse. Well, I’m pleased to report that the wait has been worth it. Featuring members of Solothus, (including their impressive singer), Only Ashes Remain contains 45 minutes of blackened death metal that will surely be one of the year’s death metal highlights. Continue reading “Sepulchral Curse – Only Ashes Remain (Review)”
Drouth – Excerpts from a Dread Liturgy (Review)
This is the second album from Drouth, a black/death metal band from the US.
This is sinister black metal that has had its delivery deepened by death metal’s gnarled bite. It’s a sinister and menacing 40 minutes, but a richly textured one also, ripe with atmosphere and expressive feeling. Continue reading “Drouth – Excerpts from a Dread Liturgy (Review)”
Imperial Triumphant – Alphaville (Review)
This is the fourth album from US avant-garde black/death metal band Imperial Triumphant.
Referring to Imperial Triumphant as a black/death metal band, (as I’ve just done here for sake of brevity), is highly misleading really, as this is one of the more individual and unique bands in existence. They play an avant-garde, experimental mix of styles that includes, (but is not limited to), black metal, death metal, progressive metal, doom, jazz, and post-everything. Continue reading “Imperial Triumphant – Alphaville (Review)”
Descend into Despair – Opium (Review)
Descend into Despair are a Romanian doom metal band, and this is their third album.
I like Descend into Despair very much. Both 2014’s The Bearer of All Storms and 2017’s Synaptic Veil scratched that funeral doom itch quite nicely. Continue reading “Descend into Despair – Opium (Review)”
Empress – Premonition (Review)
This is the debut album from Canadian doom band Empress.
I enjoyed 2017’s Reminiscence, with its psychedelic grooves and rolling riffs. It set out a strong opening argument for the band, which Premonition now ably capitalises on. Combining elements of doom, sludge, progressive, and post-metal into 49 minutes of expressive, mood-focused music, Premonition is a thoroughly convincing affair. Continue reading “Empress – Premonition (Review)”
Eremit – Desert of Ghouls (Review)
Eremit are a doom/sludge band from Germany and this is their latest EP.
I loved 2019’s Carrier of Weight, so much that it appeared in my end of year 2019 list too. As such, when this new EP appeared – two tracks, lasting 21 minutes – I knew I had to consume it hungrily. Continue reading “Eremit – Desert of Ghouls (Review)”
TOOMS – The Orb Offers Massive Signals (Review)
TOOMS are an Irish progressive sludge metal band and this is their debut album.
Combining elements of sludge, doom, drone, stoner, and hardcore, with progressive and psychedelic touches, The Orb Offers Massive Signals contains 56 minutes of individual and well-crafted sludge nastiness. Continue reading “TOOMS – The Orb Offers Massive Signals (Review)”
Mazzeri – Mazzeri (Review)
Mazzeri are a French doom metal band and this is their debut album.
Mazzeri contains four tracks, with a total duration of 48 minutes. It’s a release that contains many surprises, and contains many wonders. Continue reading “Mazzeri – Mazzeri (Review)”
Lantern – Dimensions (Review)
This is the third album from Lantern, a Finnish blackened death metal band.
2017’s II: Morphosis was a grim and evil collection of tracks, and made a good enough impression that I knew I wanted to check out Dimensions when it appeared. These new tracks are dismal and dark, fusing death, black, and Continue reading “Lantern – Dimensions (Review)”
Wonderbox Metal 