Wonderbox Metal End of Year List EXTRA! – Best Non-Reviewed Metal of 2020

I’ve decided to do something new for 2020 – a second End of Year list. If you’ve missed it, my standard, definitive best of 2020 list can be seen here, and is made up of albums I was lucky enough to get to review. However, this year I want to also highlight some of the many albums that I’ve enjoyed listening to, but for one reason or another never had the chance to review. So, consider this a complementary list of sorts to the main one. Continue reading “Wonderbox Metal End of Year List EXTRA! – Best Non-Reviewed Metal of 2020”

Wonderbox Metal End of Year List – Best Metal of 2020

Almost every year I think about how challenging it is to compile a definitive best of list, and how subjective it is, etc. Although that’s still true for this collecting of albums, this year, however, has been easier than most. 2020 has been heavy on the black metal for me. It’s been my most reviewed genre, in all its myriad permutations, and this is reflected in the below list.

For the longest of times the bands in positions 5 and 6 vied for top position, but then October and November happened. All of a sudden, unexpectedly, these two months unleashed a wealth of quality, and stole the top four positions in a rampant display of blackened supremacy.

I hope you enjoy the below recommendations of mine and find something new to obsess over. Let me know how you get on.

Let’s dig in… Continue reading “Wonderbox Metal End of Year List – Best Metal of 2020”

Haunted Cenotaph – Abyssal Menace (Review)

Haunted Cenotaph - Abyssal MenaceThis is the debut album from Polish death/doom metal band Haunted Cenotaph.

Abyssal Menace contains 41 minutes of gloomy old-school death metal. With a hefty amount of doom metal elements, and a Celtic Frost influence, this is an enjoyable listen for anyone that wants to explore OSDM that has a different perspective on the genre than that of many of the band’s contemporaries. Continue reading “Haunted Cenotaph – Abyssal Menace (Review)”

Gjoad – Samanōn (Review)

Gjoad - SamanōnGjoad are an Austrian post-rock band and this is their debut album.

This is nature-inspired music that’s highly evocative and atmospheric. Shades of post-rock, ambient, doom, and folk inform the bulk of the material here. There’s a clear black metal influence too, although this is mostly apparent Continue reading “Gjoad – Samanōn (Review)”

Ilsa – Preyer (Review)

Ilsa - PreyerIlsa are a sludge metal band from the US and this is their sixth album.

Ever since I first heard – and loved – 2012’s Intoxicantations, I’ve been a big fan of Ilsa. Across another two full-lengths – 2015’s The Felon’s Claw and 2018’s Corpse Fortress they haven’t let me down, and they don’t seem to have done so Continue reading “Ilsa – Preyer (Review)”

Heretical Sect – Rapturous Flesh Consumed (Review)

Heretical Sect - Rapturous Flesh ConsumedThis is the debut album from US black metal band Heretical Sect.

Heretical Sect’s sound combines blackened ferocity with doom misery. Specifically, traditional black metal and 90s death/doom. It’s a combination that works well, yielding some gruesome rotten fruit over the course of six grim tracks. Across Continue reading “Heretical Sect – Rapturous Flesh Consumed (Review)”

Monthly Overview – the Best of November 2020

November was a pretty great month for metal, as far as I’m concerned. Any one of the records below is worthy of your attention, especially if you’re a fan of black metal or doom. Continue reading “Monthly Overview – the Best of November 2020”

Bethmoora – Thresholds (Review)

Bethmoora - ThresholdsThis is the debut album from Bethmoora, a doom/sludge band from Denmark.

It’s good to hear such a malignant slab of filthy doom-fuelled hateful sludge like this now and again. It strips away pretentions and allows you to get a good long hard look at the muck and grime. Continue reading “Bethmoora – Thresholds (Review)”

Subterraen – Rotten Human Kingdom (Review)

Subterraen - Rotten Human KingdomSubterraen are a French sludge/doom band and this is their debut album.

When the promo blurb states that Rotten Human Kingdom is for fans of bands like Eremit, Jupiterian, Lurk, Eyehategod, Neurosis, 71TONMAN, Conan, and Primitive Man, you know you have to check it out. You won’t be disappointed, either. Far from it, in fact. Continue reading “Subterraen – Rotten Human Kingdom (Review)”