Hideous Divinity are an Italian death metal band and this is their latest EP.
This new 16-minute EP contains two new sci-fi concept-themed tracks, and a cover of a Coheed and Cambria song. Continue reading “Hideous Divinity – LV-426 (Review)”
Hideous Divinity are an Italian death metal band and this is their latest EP.
This new 16-minute EP contains two new sci-fi concept-themed tracks, and a cover of a Coheed and Cambria song. Continue reading “Hideous Divinity – LV-426 (Review)”
Altarage are a Spanish blackened death metal band and this is their fourth album.
I’ve been enjoying Altarage’s output over the years – 2017’s Endinghent and 2019’s The Approaching Roar are both really solid albums – and Succumb continues the upward trend that the band are clearly on. Succumb contains 63 minutes of foul blackened death metal, and it’s their Continue reading “Altarage – Succumb (Review)”
This is the debut album from US death metallers Obsolete.
Obsolete play a technical mix of death metal with thrash elements. This is then peppered progressive, dissonant, and avant-garde influences to produce a 37-minute album that exceeds expectations. Imagine a combination of Death and Atheist, only with more Continue reading “Obsolete – Animate//Isolate (Review)”
Intonate are a Canadian death metal band and this is their second album.
With five tracks and a duration of 40 minutes, Intonate don’t mess around on Severed Within. No stupid intros or interludes, no wasted space, just well-thought-out, creative death metal. Let’s dive in. Continue reading “Intonate – Severed Within (Review)”
Ad Nauseam are an avant-garde death metal band from Italy, and this is their second album.
Don’t let the death metal tag fool you, this is not your average deathly proposition. Ad Nauseam’s vision of what extreme metal should be is unorthodox and esoteric. The band play a sort of avant-garde progressive technical death metal, while also throwing in some elements of black metal, sludge, doom, Continue reading “Ad Nauseam – Imperative Imperceptible Impulse (Review)”
This is the fourth album from Swedish death metallers Humanity’s Last Breath.
Following on from the monolithic juggernaut that was 2019’s Abyssal, Humanity’s Last Breath have pulled out all of the stops and produced their best work to date. Välde is 54 minutes of malignant modern death metal darkness. Continue reading “Humanity’s Last Breath – Välde (Review)”
Growth are an Australian death metal band and this is their debut album.
This is essentially modern progressive death metal, but with a distinctly personal slant. That’s a bit too simplistic a description though. The promo blurb mentions bands such as Opeth, Gorguts, Black Crown Initiate, and Fallujah, and I can see why. To Continue reading “Growth – The Smothering Arms of Mercy (Review)”
This is the fourth album from Pyrrhon, an extreme metal band from the US.
Over the years Pyrrhon have built up a very well-respected discography, including 2014’s The Mother of Virtues and 2017’s What Passes for Survival. Now, on Abscess Time, the the band have returned with 57 minutes of music to challenge and terrify. Continue reading “Pyrrhon – Abscess Time (Review)”
Ulthar are a death metal band from the US and this is their second album.
Brought to us by current and ex-members of bands such as Vale, Void Omnia, Tombs, and Vastum, (and others), there’s a wealth of experience in this band. They also have a well-regarded debut album, which I somehow overlooked. On Continue reading “Ulthar – Providence (Review)”
What an unreasonably strong month for metal releases November was! Be assured, this list could have been much, much bigger. Let’s see what made the cut… Continue reading “Monthly Overview – the Best of November 2019”