Featuring members of God Macabre, Skitsystem, Disfear, and At the Gates, here’s a band comprised of people that know a thing or two about extreme music. Continue reading
Lago’s 2014 album Tyranny was an album that had a kind of darkly melodic brutality to it. It saw the band balance their style somewhere between the old-school and the new, to great effect. Continue reading
Eschaton play Technical Death Metal with roots that are firmly rooted in the New-School, Modern Death Metal camp.
Insane riffs and time signature changes merge with utterly inhuman drumming for a listening experience that’s as brutal as it is compelling. You’ve gotta love this kind of mayhem.
Things do slow down enough for the band to have some good old-fashioned chug-n-groove-n-squeal sections as well as more modern, rhythmical riffing. Even these are firmly embedded in a wider framework of frenzied musical exploration, however.
Leads and solos abound, all centred around the ridiculously surgical drumming. I feel like the drummer should be given a medal for his services to tub-thumping, or something. But then, when he’s a veteran of bands such as Incinerate, Pillory, Arsis and Vile, to name but a few, it’s no wonder he sounds like a serious player in the drumming world.
The rest of the musicians seem to be highly proficient in their trade too though. There’s the guitars of course, so many that we just seem to get extra guitars on top of guitars! In actuality there were only three members to Eschaton during this recording but the sound they make could easily lead you to believe this was a six-piece band.
We mustn’t forget the vocalist either. He has a throaty, guttural roar that focuses the chaos of the music as it rages around him. His voice is versatile enough to fit in with the extremity of the rest of the band and the consistency he provides acts as a grounding point to the swirling maelstrom of Eschaton’s delivery. He also branches out into high screams territory, and these are performed as equally well as the growls.
This is brutal, extreme music for fans of proper Technical Modern Death Metal. When confronted with music like this, most will falter. Will that be your fate, or will you be one of the elite and embrace Eschaton?
The band have a strong presence and their Death Metal is tight and precise.
Profanity have a sound that combines the Brutal, the Technical and the Progressive all in three songs, 20 minutes. As they’ve been around since 1993 they clearly know the sound they want and are experienced enough to achieve it, (even if this is the band’s first release in over a decade).
They manage to combine these aforementioned sub-genres in such a way that the end result borrows from both the New School and a more timeless brand of Death Metal.
The songs are intelligently composed and the extended, (for the style), running time of the songs, (or two of them at least), allows the band the space to really work themselves into a Technical/Progressive frenzy.
The vocalist is blessed with a deep, growling roar and he sounds utterly inhuman.
The production is strong and the band can all really play. I also love the bass; I love a band who actually use the bass as an integral part of their sound and here it has a chance to shine like the rest of the instruments. There’s even a bit of a bass solo!
Let me calm myself down a bit before I continue. The excitement is too much.
However, exciting is a good word for Profanity. Not in a high energy way, (although they have plenty of that), but just from the sheer rush of speed, brutality and technical mayhem that the band so easily and effortlessly dish out.
I must confess I’d never encountered Profanity before this. If Hatred Hell Within is anything to go by it’s definitely my loss as this EP is a sterling release by this band. It promises extremely good things for the future and here’s to their next album!