Gomorra are a heavy metal band from Switzerland and this is their second album.
Featuring members of Comaniac and Destruction, Gomorra combine heavy, thrash, and power metal into 49 minutes of well-executed music. Continue reading “Gomorra – Dealer of Souls (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
Have you heard of Dying Victims Productions? They deal mostly with traditional heavy metal, and the label is home to a number of great bands and great albums, (Witchseeker are just one such example). The below three releases all see the light of day on January 28th 2022, so I thought it’s a great to catch up with some of the label’s latest output. Continue reading “Label Roundup: Dying Victims Productions – Tension, Tangent, & Vicious Knights (Reviews)”
This is the third album from Psychomancer, a death metal band from the US.
Shards of the Hourglass is a monstrous death/thrash metal release that falls somewhere between Swedish death metal and the more adventurous side of 90s death and thrash metal. There’s a vicious German influence too – think a mix of Vader and Destruction. Take all of this together and it makes for a surprisingly engaging 58-minute blend of extreme metal. Continue reading “Psychomancer – Shards of the Hourglass (Review & Interview)”
This is the tenth album from US death metal veterans Jungle Rot.
Although Jungle Rot aren’t a band I’m intimately familiar with, I do know, (and enjoy), some of their previous work, so it’s with great interest that I listen to this self-titled album as it’s a bit different from what I’ve heard from the band before. Continue reading “Jungle Rot – Jungle Rot (Review)”
Exalter are a thrash metal band from Bangladesh and this is their debut album.
Exalter’s 2016 release Obituary for the Living was a strong and confident blast of aggressive thrash, and Persecution Automated continues what they started on their earlier work. Continue reading “Exalter – Persecution Automated (Review)”
How often do you get to see a thrash metal package like this? Not often, that’s for sure.
Having arrived in good time only to discover that the venue don’t have the guest list, I end up missing half of Nervosa’s set. Due to their latest album Agony being a firm recent favourite of mine, to say I’m disappointed is an understatement. Continue reading “Destruction/Flotsam and Jetsam/Enforcer/Nervosa – Manchester Club Academy, 06/10/16 (Live Review)”
This is the debut album from Archetype, a Canadian progressive death metal band.
This is a progressive mixture of death and thrash metal that’s not short on confidence or character. Or, for that matter, a rather insane delivery style.
The songs have a decent mixture of aggressive thrash metal, (with a kind of German, Destruction/Kreator feel), and melodic death metal, (Carcass/Arsis), mixed in with more technical and progressive tendencies that see the band producing Continue reading “Archetype – Mission (Review)”
This is the 14th album from this prolific German thrash metal band.
For a band that have been around for over 30 years(!), describing Destruction as veterans of the thrash metal scene, or something like that, is an understatement. Considering both their longevity and considerable output since that time, I imagine there are few in the metal world who are unfamiliar with the band in some capacity or other. Well, unless all you listen to is Continue reading “Destruction – Under Attack (Review)”
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