Ty are an atmospheric/post-black metal band from Venezuela and this is their debut album.
It was the album cover that drew me to this release, and I’m glad it did. This is obscure, underground black metal that focuses on atmosphere and mood rather than aggression or blackened hatred. Continue reading “Ty – The Golden Soul and the Hunger Feelings (Review)”
Myrkur is a one woman post-black metal band from Denmark. This is her second album.
I thoroughly enjoyed both Myrkur and M; their combination of raw, second wave black metal and folk, choral beauty was as well-judged as it was well-executed. However, if you thought M was the culmination of Myrkur’s style, and Mareridt would be just more of the same, you’d be mistaken. Continue reading “Myrkur – Mareridt (Review)”
Antarktis are a post-metal band from Sweden and this is their debut album.
Featuring members and ex-members of In Mourning and October Tide, Ildlaante is 54 minutes of heavy, engaging, textured music. Continue reading “Antarktis – Ildlaante (Review)”
Comeback Kid are a Canadian hardcore band and this is their sixth album.
This is energetic and volatile hardcore, with elements of both punk and metal in the band’s sound. Continue reading “Comeback Kid – Outsider (Review)”
Arkaik are a death metal band from the US and this is their fifth album.
This is technical/progressive death metal, showing a band that have built on the strengths of 2015’s Lucid Dawn and taken them to their logical conclusion on Nemethia. Continue reading “Arkaik – Nemethia (Review)”
Old Night are a Croatian atmospheric/progressive doom metal band and this is their debut album.
This is a very accomplished hour or so of doom metal, interleaved with elements of progressive rock, blues rock, and atmospheric metal. Continue reading “Old Night – Pale Cold Irrelevance (Review)”
This is the eleventh album from UK progressive metallers Threshold.
Well, Threshold have certainly been busy. Their latest album is quite the progressive monster – a double album lasting 82 minutes; you certainly get your value for money with this one. Continue reading “Threshold – Legends of the Shires (Review)”
Usnea are a doom band from the US and this is their third release.
I must confess a deep love for Usnea at this point; all of their previous work thus far has been stunning, (check out Random Cosmic Violence and their split with Ruins as just a couple of examples. It’s also no surprise that they made it onto my best of 2014 end of year list). Continue reading “Usnea – Portals into Futility (Review)”
I love savage, ultra-aggressive music, especially when played with substance and obvious passion. Which is why I love Helpless. Their debut album Debt is a scorching, visceral maelstrom of nastiness, one which delivers 22 minutes of ferocity and heaviness.
Let’s dig a little deeper with the band’s bassist Steve Waldron… Continue reading “Interview with Helpless”
The doom metal of Low Flying Hawk’s latest album Genkaku is dreamy and sublime; definitely worth checking out if you’re into the style. The songs are moody and atmospheric, with the band’s slow, mournful performance resulting in very emotive tracks of moody, affecting metal.
Have a listen to the album while you also have a read of the below. Continue reading “Interview with Low Flying Hawks”
Wonderbox Metal 