Question – Gnosis Primordial (Review)

QuestionThis is the latest EP by Mexican death metal band Question.

I was suitably impressed with Question’s 2014 debut album Doomed Passages, so it’s good to have some new material from them now.

Doomed Passages was an album that had its own Continue reading “Question – Gnosis Primordial (Review)”

Vipassi – Śūnyatā (Review)

VipassiThis is the debut album from Australian instrumental metal band Vipassi.

Śūnyatā is 30 minutes of instrumental music that combines elements of progressive, technical and death metal together to form an engaging and thoughtful listening experience.

Atheist, Cynic and Death are the Continue reading “Vipassi – Śūnyatā (Review)”

Mercy Isle – Undying Fire (Review)

Mercy IsleMercy Isle are an American/Dutch symphonic metal band and this is their debut album.

Mercy Isle play their brand of melodic, symphonic metal with the core of a rock band and the catchiness of a pop act.

A frequent issue I have with a lot of Continue reading “Mercy Isle – Undying Fire (Review)”

Naddred – Sluagh (Review)

NaddredThis is the debut demo of Naddred, a black metal band from Ireland.

Naddred play classic black metal, influenced by the second wave and with enough spite and malice for the listener to feel it coming off the tracks in sickly, corrupt waves.

The songs, of which there are four that collectively last Continue reading “Naddred – Sluagh (Review)”

Sunlight’s Bane – The Blackest Volume: Like All the Earth Was Buried (Review)

Sunlight's BaneThis is the debut album from Sunlight’s Bane, a blackened sludge/grindcore band from the US.

This is nasty, raw and nihilistic music that wants nothing more than to terrify, scar and demoralise the listener. With a mix of Nails, Anaal Nathrakh, Hooded Menace, Aborted, Trap Them, Extreme Noise Terror, Primitive Man, Zao, and many others in their sound, Sunlight’s Bane have concocted an identity that’s very much their own and quite a hard one to accurately classify, if you care about such things. Continue reading “Sunlight’s Bane – The Blackest Volume: Like All the Earth Was Buried (Review)”

Grave Plague – The Infected Crypts (Review)

Grave PlagueGrave Plague are a US death metal band and this is their debut EP/demo.

With cover artwork and a band name that drew me in like a moth to a flame, I knew I had to listen to this release as soon as I could.

This short release features two tracks of ugly, primitive old-school death metal. No, I have not been disappointed. Continue reading “Grave Plague – The Infected Crypts (Review)”

Lo-Pan – In Tensions (Review)

lo-panThis is the latest EP from US stoner rock band Lo-Pan.

Their 2014 album Colossus made a very favourable impression on me. As with Colossus, In Tensions is instant-gratification personified. The tracks are bright, have high-impact and are imbued Continue reading “Lo-Pan – In Tensions (Review)”

Memories in Broken Glass – Enigma Infinite (Review)

Memories in Broken GlassMemories in Broken Glass are a modern metal band from the US. This is their debut album.

This is modern progressive/technical metal with a djent slant that showcases how it’s easily possible to create involving modern music without it coming off as overproduced plastic rubbish. Continue reading “Memories in Broken Glass – Enigma Infinite (Review)”

Altar of Betelgeuze – Among the Ruins (Review)

Altar of BetelgeuzeThis is the second album from Finnish doom metallers Altar of Betelgeuze.

Full of fuzzy stoner riffs, this is stoner doom metal that has bitten off a good chunk of death/doom and regurgitates it across these 49 minutes.

Like a more underground version of Continue reading “Altar of Betelgeuze – Among the Ruins (Review)”

Killing Addiction – Shores of Oblivion (Review)

Killing AddictionThis is the latest EP from Killing Addiction, a death metal band from the US.

Having enjoyed their short-yet-brutal 2014 EP When Death Becomes an Art, it’s good to hear some new material from these veterans.

This EP is 15 minutes of classic, 90s-styled Continue reading “Killing Addiction – Shores of Oblivion (Review)”