Uneven Structure are a French progressive metal band and this is their third album.
I really enjoyed 2017’s La Partition, so it’s good to have some more material from the band. On Paragon Uneven Structure run through 53 minutes of modern progressive metal that demonstrates a band at the height of their abilities. Continue reading “Uneven Structure – Paragon (Review)”
This is the third album from Algebra, a thrash metal band from Switzerland.
Having been impressed with 2014’s Feed the Ego, it’s been far too large of a gap between Algebra releases for my liking. Well, there’s almost an hour of material on Pulse?, including a fiery Sepultura cover, so I feel like the band have made up for their absence. Continue reading “Algebra – Pulse? (Review)”
This is the debut album from US metallers Ghastly Sound.
Having really enjoyed both Ghastly Sound and The Bottom, I’ve been looking forward to Have a Nice Day. It has not disappointed, quite the opposite in fact. Continue reading “Ghastly Sound – Have a Nice Day (Review)”
This is the sixth album from Swedish heavy metallers Ram.
Since 2015’s Svbversvm, and then 2017’s Rod, I have been a huge fan of Ram. Very few heavy metal bands from the last decade or so do it for me quite like Ram. They are, quite simply, just so damn good at what they do. Continue reading “Ram – The Throne Within (Review)”
Betraying the Martyrs are a French metalcore band and this is their fourth album.
Betraying the Martyrs play keyboard-enriched metalcore that contains elements of both technical and nu-metal. The band’s sound makes for a dynamic listen that doesn’t pull punches, either musically or emotionally. Roughly a mix of Bleeding Through, American Headcharge, Carnifex, Korn, Born of Osiris, and Slipknot, Rapture is a rich and enjoyable album. Continue reading “Betraying the Martyrs – Rapture (Review)”
Pinewalker are from the US and play sludge metal. This is their debut album.
Exploring the darkness of loss and the emotional impact/response of/to this, Migration contains 44 minutes of music that bares its soul as well as its fangs. Continue reading “Pinewalker – Migration (Review)”
This is the second album from Ledge, a one-man sludge metal band from the US.
Playing abrasive sludge metal with some elements of stoner thrown into the mix, All I Hope For is 39 minutes of harsh, hateful heaviness. Continue reading “Ledge – All I Hope For (Review)”
This is the third album form Swedish modern metal band Aktaion.
I’ve been a fan of Aktaion ever since their debut album Throne in 2015. They then followed this up with the improved The Parade of Nature a year later. The bigger gap between that album and Above Empires seems to have paid off, and the band’s third album truly sees them blossoming even bigger. Continue reading “Aktaion – Above Empires (Review)”
Killswitch Engage are a metalcore band from the US and this is their eighth album.
Killswitch Engage are one of the larger, more recognisable names out there in the metal landscape, and I’m sure they need little introduction. Suffice it to say that they’re a big deal in certain circles. Continue reading “Killswitch Engage – Atonement (Review)”
This is the second album from Uniform & The Body, a collaboration between industrial rockers Uniform and experimental metallers The Body. Both are from the US.
I haven’t reviewed Uniform before, but I like 2018’s The Long Walk. As for The Body, you can see some examples of my appreciation for their work here, here, and here. Continue reading “Uniform & The Body – Everything That Dies Someday Comes Back (Review)”
Wonderbox Metal 