This is the debut album from Dutch blackened post-punk/metal Ainsoph.
Ainsoph’s material is constructed from a sort of atypical blackened base that takes in elements of post-metal, post-rock, post-punk, avant-garde, progressive rock, doom, blackgaze, and jazz. It’s an eclectic mix on paper, but in execution Continue reading “Ainsoph – Ω – V (Review)”
Deathwhite are a melodic metal band from the US and this is their second album.
Ever since 2014’s Ethereal saw the light of day, I’ve enjoyed watching Deathwhite flex their creative, melodically-charged muscles. Solitary Martyr arrived a year later with a quality delivery, and by the time that 2018’s For a Black Tomorrow came around, it was clear that Deathwhite’s early promise was not squandered at all. Well, it’s now 2020, and the band have returned with 49 minutes of new material. Continue reading “Deathwhite – Grave Image (Review)”
This is the third album from Nero di Marte, a progressive metal band from Italy.
Six years after the rewarding Derivae, Nero di Marte have finally returned with 67 minutes of new material in the shape of Immoto. Continue reading “Nero di Marte – Immoto (Review)”
This is the debut album from Kirk Windstein, a metal artist from the US.
So, Kirk Windstein, he of Crowbar fame, owner of one of the most distinctive and recognisable voices in metal, and all-round legend, has a solo album? Well, this qualifies for an must-listen or ten. Continue reading “Kirk Windstein – Dream in Motion (Review)”
This is the second album from German progressive metallers Thoughts Factory.
Six years after the enjoyable Lost, Thoughts factory are back with a new album, a new singer, and 54 minutes of professional, accomplished metal. More than that, it’s a damn good listen too. Continue reading “Thoughts Factory – Elements (Review)”
This is the latest EP from Shuulak, a heavy metal band from the Netherlands.
This release contains three songs and an outro; 14 minutes of infectious, high quality heavy metal. Continue reading “Shuulak – Citrinitas (Review)”
Oceans are a metal band from Germany/Austria, and this is their debut album.
Oceans are an interesting band. Their music consists of an engaging combination of diverse influences, all wrapped together with coherent skill. Elements of death metal, melodic metal, melodic doom, nu-metal, and progressive metal can all be heard. Think of Continue reading “Oceans – The Sun and the Cold (Review)”
Haunt are a heavy metal band from the US and this is their third album.
Haunt clearly exist to worship at the altar of 80s heavy metal and NWOBHM, yet do so in a way that allows the band a contemporary edge all of their own. This new album delivers 37 minutes of anthemic tuneage, and does so with skill and aplomb. Continue reading “Haunt – Mind Freeze (Review)”
This is the second album from Polish industrial metallers Kontagion.
Following on from their 2015 album [R-!-E]elentless and 2017 EP KO[R-!-E], Kontagion present us with 48 minutes of industrial metal on their latest outing. Continue reading “Kontagion – Kontagion (Review)”
This is the third album from Timeworn, a Norwegian sludge metal band.
This is riff-friendly sludge metal, with both a hardcore influence and an atmospheric one. There’s a mix of the harsh and the beautiful here, which is weighted towards the energetic former, but the latter is still an important part of the band’s sound too. Continue reading “Timeworn – Leave the Soul for Now (Review)”
Wonderbox Metal 