This is the latest EP from Shuulak, a heavy metal band from the Netherlands.
This release contains three songs and an outro; 14 minutes of infectious, high quality heavy metal. Continue reading “Shuulak – Citrinitas (Review)”
This is the latest EP from Shuulak, a heavy metal band from the Netherlands.
This release contains three songs and an outro; 14 minutes of infectious, high quality heavy metal. Continue reading “Shuulak – Citrinitas (Review)”
Oceans are a metal band from Germany/Austria, and this is their debut album.
Oceans are an interesting band. Their music consists of an engaging combination of diverse influences, all wrapped together with coherent skill. Elements of death metal, melodic metal, melodic doom, nu-metal, and progressive metal can all be heard. Think of Continue reading “Oceans – The Sun and the Cold (Review)”
Haunt are a heavy metal band from the US and this is their third album.
Haunt clearly exist to worship at the altar of 80s heavy metal and NWOBHM, yet do so in a way that allows the band a contemporary edge all of their own. This new album delivers 37 minutes of anthemic tuneage, and does so with skill and aplomb. Continue reading “Haunt – Mind Freeze (Review)”
This is the second album from Polish industrial metallers Kontagion.
Following on from their 2015 album [R-!-E]elentless and 2017 EP KO[R-!-E], Kontagion present us with 48 minutes of industrial metal on their latest outing. Continue reading “Kontagion – Kontagion (Review)”
This is the third album from Timeworn, a Norwegian sludge metal band.
This is riff-friendly sludge metal, with both a hardcore influence and an atmospheric one. There’s a mix of the harsh and the beautiful here, which is weighted towards the energetic former, but the latter is still an important part of the band’s sound too. Continue reading “Timeworn – Leave the Soul for Now (Review)”
Misery Loves Co. are a Swedish industrial metal band and this is their fourth album.
This is the band’s first album in a mere 19 years, so not much expectation riding on this at all…
As soon as the album starts, it’s immediately Continue reading “Misery Loves Co. – Zero (Review)”
Fjords are a progressive metal band from the UK and this is their debut album.
Onirica is an interesting and wide-ranging album, spanning, as it it does, elements of melodic doom and death metal, (think bands such as Katatonia, Opeth, and Agalloch), as well as more modern progressive and atmospheric metal. The end result is a curious mix of old and new, wrapped up in a professional, polished package that allows the band to be displayed in their best light. Continue reading “Fjords – Onirica (Review)”
Lord Mantis are from the US and play Blackened Sludge Metal. This is their fourth album.
2014’s Death Mask was a tortured nightmare of evil sludge, pretty much as foul as the style gets. Five years later the band have returned, infecting the world with 44 minutes of new material that’s as virulent and as nasty as ever. Continue reading “Lord Mantis – Universal Death Church (Review)”
Une Misère are an Icelandic metal band and this is their debut album.
Sermon mixes together gritty modern metal and violent hardcore, along with a touch of powerviolence, (and some other styles), and does so very convincingly. Continue reading “Une Misère – Sermon (Review)”
Uneven Structure are a French progressive metal band and this is their third album.
I really enjoyed 2017’s La Partition, so it’s good to have some more material from the band. On Paragon Uneven Structure run through 53 minutes of modern progressive metal that demonstrates a band at the height of their abilities. Continue reading “Uneven Structure – Paragon (Review)”