This is the 16th album from UK metal band Paradise Lost.
This is the eagerly awaited follow up to 2017’s Medusa, which was a thoroughly enjoyable album through and through. Back with 45 minutes of new material on Obsidian, this is a great time to be a Paradise Lost fan. Continue reading “Paradise Lost – Obsidian (Review)”
Bear are a progressive metal band from Belgium and this is their fourth album.
I really, really enjoyed 2017’s ///, and it grew on me over time more and more. Well, I haven’t had years to absorb the true nature of Propaganda yet, but damn does it seem just as good, if not better than ///. Continue reading “Bear – Propaganda (Review)”
This is the debut album from Shatter Brain, an Australian thrash metal band.
Featuring members of Voros and Alkira, Pitchfork Justice contains 40 minutes of bellicose metal. Blending thrash, hardcore, and sludge metal into a strong-tasting and satisfying concoction, this is a very impressive debut album. If you imagine Continue reading “Shatter Brain – Pitchfork Justice (Review)”
The Ditch and the Delta are a sludge metal band from the US and this is their second album.
This band combine Neurosis-style post-metal sludginess with energetic riff-worship and a surprisingly technical delivery to produce 38 minutes of abrasive nastiness. Mix Neurosis, very early Mastodon, Today Is the Day, and Meshuggah, and you’ll have a Continue reading “The Ditch and the Delta – The Ditch and the Delta (Review)”
This is the second album from Azusa, an international progressive metal band.
Featuring current and ex-members of bands such as John Frum, The Dillinger Escape Plan, and Extol, you know there’s a lot of talent and experience in Azusa before you even listen to them. Continue reading “Azusa – Loop of Yesterdays (Review)”
Kingsmen are a metalcore band from the US and this is their debut album.
Here we have 37 minutes of music; metallic hardcore that also borrows from both modern metal and deathcore. The songs are compact and concise expressions of anger, frustration, and hardship, channelled through satisfyingly brutal tracks that are also full of good hooks and choruses. Continue reading “Kingsmen – Revenge.Forgiveness.Recovery (Review)”
Testament are a legendary thrash metal band from the US. This is their 12th studio album, (13th if you count First Strike Still Deadly).
The follow up to 2016’s Brotherhood of the Snake, Titans of Creation treats us to 59 minutes of quality metal to thrash along to. Continue reading “Testament – Titans of Creation (Review)”
Escape Is Not Freedom are an alternative/sludge metal band, and this is their second album.
Escape Is Not Freedom are no strangers to this site, (here and here), and it’s great to hear some new material from them. Combining elements of metal, sludge, rock, and noise, Escape Is Not Freedom remind me of a cross between Fudge Tunnel, Helmet, Nirvana, Skyscraper, and others. Continue reading “Escape Is Not Freedom – Surrounded by the Great Nothing (Review)”
Based in the US, Irist are a modern metal band and this is their debut album.
Irist’s recipe is one that takes a wide range of influences and works them into a comprehensive modern metal framework. Loosely stated, Irist take elements of hardcore, thrash metal, and progressive/post-hardcore/metal, and hone them into song-based packages of metallic heaviness. Continue reading “Irist – Order of the Mind (Review)”
Neck of the Woods are a progressive metal band from Canada and this is their second album.
The Annex of Ire contains 40 minutes of modern, hybrid progressive metal from the band that enjoyably produced 2015’s Neck of the Woods and 2017’s The Passenger. Continue reading “Neck of the Woods – The Annex of Ire (Review)”
Wonderbox Metal 