This is the second album from Naxen, a German black metal band.
Descending into a Deeper Darkness is the follow up to 2020’s Towards the Tomb of Times, and contains 43 minutes of new material that’s spread out over four sprawling tracks. Naxen were already a quality band before this, but Descending into a Deeper Darkness sees them raise their standards even higher. Continue reading “Naxen – Descending into a Deeper Darkness (Review)”
This is the fifth album from Corpus Diavolis, a French black metal band.
I enjoyed 2017’s Atra Lumen and 2021’s Apocatastase, (which I honestly thought I had reviewed), so when the promo for Elixiria Ekstasis appeared I wanted very much to be able to get to it. Alas, it was not to be, as sadly there just isn’t enough time in the world. However, as I like Corpus Diavolis I eventually made the mistake of listening to it – a mistake, only because it’s damn good and I knew I had to write about it – which is why, despite this coming out in March, you’re reading this now. Continue reading “Corpus Diavolis – Elixiria Ekstasis (Review)”
Lifvsleda are a Swedish black metal band and this is their third album.
Evangelii Härold brings us 48 minutes of classic-style second wave Scandinavian black metal. Lifvsleda appear to know the genre inside and out, and on Evangelii Härold deliver a display of artistry that’s compelling. Continue reading “Lifvsleda – Evangelii Härold (Review)”
Inter Arma are a post-metal band from the US and this is their fifth album.
Inter Arma are not your average band. They contort and shapeshift from one track to the next – from one part of a song to the next – delivering a multifaceted metallic journey through all kinds of different styles and genres, including doom, death metal, black metal, sludge, and more, all wrapped up in a progressive/post-metal bow that’s just wonderfully realised. Continue reading “Inter Arma – New Heaven (Review)”
This is the latest EP from US deathgrinders Sulaco.
I’ve enjoyed following Sulaco over the years – 2011’s Build & Burn, 2018’s The Prize, and 2020’s The Privilege – so Black Cloud is most welcome here at Wonderbox Metal. Containing two songs, and with a duration of 8 minutes, there may not be much material here, but this is about quality, not quantity. Continue reading “Sulaco – Black Cloud (Review)”
This is the latest EP from UK blackened post-metal band Ba’al.
I was introduced to Ba’al on 2017’s In Gallows by Mass, but it wasn’t until 2020’s colossal debut Ellipsism that they truly came into their own. Four years on from that record, Ba’al return with the three-track EP Soft Eyes, which brings us 27 minutes of new material. Continue reading “Ba’al – Soft Eyes (Review)”
Unearthly Rites are a Finnish death metal band and this is their debut album.
Here’s some nasty death metal for you to clog up your pores. Ecdysis is a sludge factory of old-school death metal that really brings out the filth in the style. Across 34 minutes Unearthly Rites spread their disease with convincing menace and a swamp’s worth of heaviness. Continue reading “Unearthly Rites – Ecdysis (Review)”
This is the second album from US metal band The Watchers.
Nyctophilia contains 41 minutes of song-based metallic fun. Taking elements from the classic metal, thrash, stoner, grunge, and doom styles, The Watchers ably demonstrate what they are capable of. Continue reading “The Watchers – Nyctophilia (Review)”
Terminal Nation are a death metal band from the US and this is their second album.
Terminal Nation play hardcore-infused death metal, delivering 40 minutes of the stuff over 12 songs on this record. The promo blurb tells us that Echoes of the Devil’s Den is for fans of All Out War, Bolt Thrower, Earth Crisis, Maul, Xibalba, Kruelty, Fuming Mouth, and Gatecreeper, so this should give you a good idea of where Terminal Nation are coming from. Continue reading “Terminal Nation – Echoes of the Devil’s Den (Review)”
Crawl are a death metal band from Sweden and this is their second album.
I thoroughly enjoyed 2018’s Rituals, so was pleased when Crawl’s split with Feral appeared last year. They’re now back again with Altar of Disgust, which delivers 31 minutes of crust-driven Swedeath heaviness. Continue reading “Crawl – Altar of Disgust (Review)”
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